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Rockin’ ChairLouis Armstrong

Old rockin' chair's got me, my cane by my side
Fetch me that gin, son, 'fore I tan your hide
Can't get from this cabin, goin' nowhere
Just set me here grabbin' at the flies round this rockin' chair

My dear old aunt Harriet, in Heaven she be
Send me sweet chariot, for the end of the trouble I see
Old rockin' chair gets it, Judgement Day is here
Chained to my rockin' chair

Old rockin' chair's got me, son, (Rocking chair got you, father)
My cane by my side, (Yes, your cane by your side)
Now fetch me a little gin, son (Ain't got no gin, father)
What? 'fore I tan your hide, now, (You're gonna tan my hide)

You know, I can't get from this old cabin (What cabin? joking)
I ain't goin' nowhere (Why ain't you goin' nowhere?)
Just sittin' me here grabbin' (Grabbin')
At the flies round this old rockin' chair (Rockin' chair)

Now you remember dear old aunt Harriet, (Aunt Harriet)
How long in Heaven she be? (She's up in Heaven)
Send me down, send me down sweet (Sweet chariot) chariot
End of this trouble I see (I see, Daddy)

Old rockin' chair gets it, son (Rocking chair get it, father)
Judgement Day is here, too (Your Judgement Day is here)
Chained to my rockin', old rockin' chair

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

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