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Maybe It’s BecauseLouis Armstrong

"Round Here" is a song recorded by American country music duo Florida Georgia Line. It became the duo's third consecutive #1 on the Country Airplay chart dated for September 21, 2013, thus making Florida Georgia Line only the second duo after Brooks & Dunn to send its first three singles to #1 on that chart. It was released in June 2013 as the third single from their album Here's to the Good Times. It was written by Rodney Clawson, Chris Tompkins, and Thomas Rhett. Read more on Last.fm.

Length: 3:35

Maybe it's because the kiss you gave me
Touched my heart and went right through
Now I can't tell you why; I only know that I
Fell helplessly in love with you

Oh, maybe it's because the song we danced to
Told a story old and new
I can't figure out just why it came about
Or how I fell in love with you

I could say you're grand and therefore
I care for you so
But there is a why and wherefore
And I'd like to know

Now maybe it's because the star I wished on
Made a certain wish come true
Or it just could be that you were meant for me
And maybe I was meant, oh baby, meant for you

Oh, baby, or it just could be that you were meant for me
And, baby, I was meant for you

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.

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