Down in Louisiana, Louisiana - Land of Creole Sues
Patois, Mardi Gras and romantic blues
Once I hard a lover, when work was over strum a Creole croone
To his wherein lovey dovey underneath a Dixie Moon. I heard her say

Chantez-les bas, that means in Creole - sing 'em low. Yeah
Chantez-les bas. She liked her blues played sweetly and slow, yeah
Chantez-les bas. I can't forget that serenade, and if you listen to me
Just a while, I'll try to sing for you what they say: Oh in the mornin' baby

Jes' fore day, in the mornin'
Jes' fore day, in the mornin'
Jes' fore day, and New Orleans, hey, hey! Oh in the mornin' baby

Jes' fore day, in the mornin'
Jes' fore day, in the mornin'
Jes' fore day, I'll come to get you and take you away, far, far away

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.