Songwriter: Kurt Weill Bertolt Brecht

Oh, the shark has pretty teeth, dear
And he shows them, a-pearly white
Just a jackknife has Macheath, dear
And he keeps it out of sight

When the shark bites with his teeth, dear
Scarlet billows start to spread
Fancy gloves though wears Macheath, dear
So there’s not a trace, mmm, of red

On the sidewalk, Sunday mornin', baby
Lies a body, oozin' life
Someone sneakin' 'round the corner
Is the someone Mack the Knife?

From a tugboat by the river, baby
A cement bag's drooppin' down
Yeah the cement's just for the weight, dear
Bet you Mack, he's back in town

Lookie here, Louie Miller, disappeared, dear
After drawing out his cash
And MacHeath spends like a sailor
Did our boy do somethin' rash?

Suky Tawdry, Jenny Diver
Lotte Lenya, sweet Lucy Brown
Yes, the line forms on the right, dears
Now that Mackheath's back in town

Take it, Satch

Louis Armstrong

Louis Armstrong, known throughout his lengthy career by nicknames like “Satchmo”, “Pops” and simply “Louie”, was a trumpeter, composer, singer and occasional actor, as well as one of the most influential figures in the history of jazz.

Born and raised in New Orleans, where jazz itself is alleged to have began, Armstrong started his career in 1918, playing the cornet in brass bands and riverboats along the Mississippi River. There, he caught the attention of his future mentor, King Oliver, joining his band in Chicago, where he networked with other popular jazz musicians like Hoagy Carmichael and his first wife Lil Hardin Armstrong.

In 1924, Louie relocated to New York City playing for the Fletcher Henderson Orchestra. It was at this time he switched over from cornet to trumpet in order to blend in better with the other musicians in his section. It was also when he developed his emotional playing style, which included singing and telling tales of his life back in New Orleans.