Released: September 25, 2012

Songwriter: Jimmy Giannos Dominic Jordan Lupe Fiasco

Producer: Famties Bullit

[Intro]
God is great!

[Verse 1]
Ghettos, America. U.S. to the izzay
Killa in the citywide sprizzay
Where there's sunshine in the shizzade
Judge won't pull him out the pen like a grenade
For acting out their fears like a charade
Til they blacking out their tears like it's lights out
Bring em out the black like a lighthouse
And wave to em before they wiped out
Lifesaver, threw em, hope they catch it
But it's so Titanic to be iced out
That's just scratching the surface like Triple Axels
Want to roll around that Bentley like Crystal Castles
In addition to the chain
That's just to take the attention from the pain
Or is it the mission of the man
Audubon Ballroom, Motel Lorraine

[Hook]
Now white people, you can't say nigga
So I gotta take it back
Now black people, we're not niggas
Cause God made us better than that

[Verse 2]
No break, all wake
Little mayhem for your All-State, nay ham, all steak
Get a good ball great like a golf grade
Make the ball break
Just one swing, no putting
That's how I try 'n does things, always
Especially when your past is
Martin, Baldwin, Audubon Ballroom
Turn the glass ceiling to a glass floor
Make a trampoline out of trapdoor
On that gasoline when I was back poor
Loudly crafted out my dream underneath a tap floor
Backpack battle-cat underground rap lore
Anonymous but dominant -- what's a Mac to a hacker?
In other words, we lyrical Zuckerbergs
Pimp you may move a mouse, but what's a rat to a cat store
It's like a gig to an app store
I rap Black history, you can only see my past if you fast forward

[Hook]
Now white people, you can't say nigga
So I gotta take it back
Now black people, we're not niggas
Cause God made us better than that

[Verse 3]
Black Panthers, black anthems, black blues
With black answers for black stanzas: Langston Hughes
Breaking rules, ain't it cool?
Took it old, and made it new
Black painters, musical black anger
Black mothers, beautiful black anchors
So lets hear it for 'em! Let's hear it for 'em!
Lets hear it for 'em! Lets hear it for 'em!
Black America! Trap America!
'80s Babies! Crack America!
Rap America! Bad as Erykah!
From the era of family tearing up
But we just won big, can't be undid
Form a whole culture in just one kid
Miami dope boys, Oakland militants
Harlem Renaissance it's our deliverance

[Hook]
Now white people, you can't say nigga
So I gotta take it back
Now black people, we're not niggas
Cause God made us better than that

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.