Released: September 13, 2011

Songwriter: Thom Bell Casey James Prolyfic Lupe Fiasco

Producer: Prolyfic

[Sample from "(Do it) No One Does it Better" by The Spinners]
No one does it better
(I said) Do it, do it, no one does it better

[Intro]
What down Charlie?
How you doing? Good, hey what up Joe?
I'm just chilling, know what I'm saying chilling, ain't nothing, yo
I said nah man, there's people out there better than me
I just do what I do, you know what I'm saying? Yeah aight

[Verse 1]
Uh, I can't feel a field nigga pain
Devious skill that make a strong willed nigga wane
Since a lil nigga hang with the killers and distributers of 'caine
They dismemberers of swishers then refill it with the Jane
Then they tilt it and they lit it with a flame
Then they took a pull of killer to the brain like (inhale noise) ah
Evil minded like Krang they became
They deranged like the Rover that I rode
That was the Range that I drove when I was a little bit older, mayne
Declaring war on the deck like they The Joker
All while, ducking from Bruce Wayne
While they polka with the devil in our moonlitten ghetto
Hello My Name stickers on the stickers of the veins
In rehab remembering the feelings when they used to get mellow
When they was all back of a nickel like Monticello
When the underworld had to be smarter than Donatello
No honor amongst fellows
It's harder than sitting with a blind man and
Trying to describe yellow
Got me feeling like killer Joe
My life the album, know the classics by heart
And exactly how the filler go
Repeat it on my way to the liquor store, Charlie

[Interlude]
What's up, what's down what down
You know, how are you (..) what you in for? (..) stupid niggas
You know I'm sayin, it's why I do what I do
I be aight, we all be aight
We just gotta learn how to stay in our lane
And do what we know how to do, you know

[Verse 2]
'Cause, I can't feel the field nigga chains
Though I covet mine, so I covered mine in bling
Then I bumped into a bum and covered mine in shame
Then I bumped into a hun and uncovered mine again
Diamonds then under minded mayne
They give a nigga with no mack another kinda game
See money talks in another kinda slang
Detectives can't decipher as they listen through the wire
As I accept the call and listen to the lifer
Getting religion, making wudhu in the sink of your cell
Reciting Al-Fatiha in the kitchen
Indeed on his deen and in addition to doing dishes
Listen as I get schooled to the rules to rule
The fuel of fools, the obstacles, the cool
Had to slow it down homie
Chopped and screwed, he said blow it down for me
Sticks and stones make the homes
Only God's words can stop the wolves
And don't fraternize with pigs those kids'll think your stool
Not at the bar but trying to put him behind the bar like a bartender
He laid the law like the bar so I put it in a bar for dude
He said, borrow my jewels and bar the fools
'Cause they'll play ya like the space bar in Tools
Theme music to a drive-by, put it in your car and cruise, uh, uh

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.