Released: December 18, 2007

Songwriter: Lupe Fiasco SIMON SAYZ (Producer)

Producer: SIMON SAYZ (Producer)

[Intro]
(Let me put you on game)
(Let me put you on game)

[Verse: Lupe Fiasco]
Don't you know that I run this place
And I've begun this race, must I rerun this pace
I'm the reason it's become this way
And their love for it is the reason I have become this praised
(Let me put you on game)
They love my darkness, I make them heartless
And in return they have become my martyrs
I've been in the poem of many a poet
And I reside in the art of many a artist
(Let me put you on game)
Some of your smartest have tried to articulate
My whole part in this, but they're fruitless in their harvest
The dro grows from my footsteps
I'm the one that they follow, I am the one that they march with
(Let me put you on game)
Through the back alleys and the black markets
The Oval offices, crack-houses, and apartments
Through the mazes of the queens
The pages of the sages and the chambers of the kings
(Let me put you on game)
Through the veinses of the fiends
A paper chaser's pager, yo, I'm famous on the scene
One of the oldest, most ancientest things
Speak every single language on the planet, y'all mean?
(Let me put you on game)
I am the American dream
The rape of Africa, the undying machine
The overpriced medicine, the murderous regime
The tough guy's front and the one behind the scenes
(Let me put you on game)
I am the blood of this city, its gas, water, and electricity
I'm its gym, and its math, and its history
The gunshots in the class
And you can't pass if you're missin', G
I taught them better than that
I taught them aim for the head and hope they never come back
I'm glad your daddy's gone, baby, hope he never comes back
I hope he's with your mother with my hustlers high in my traps
(Let me put you on game)
I hope you die in his trash
I can't help it, all I hear when you're crying is laughs
I'm sure somebody find you tied up in this bag
Behind the hospital, little baby crack addicts had
(Let me put you on game)
Then maybe you can grow up to be a stripper
A welfare-receiving prostitute and gold digger
You can watch on TV how they should properly depict you
The rivers shall flow with liquor, quench your thirst on my elixirs
(Let me put you on game)
I am the safe haven for the rebel runaway and the resistor
The trusted misleader, the number one defender
And from a throne of their bones I rule
These fools are my fuel, so I make them cool
(Let me put you on game)
Baptize them in the water out of Scarface pool
And feed them from the table that held Corleone's food
If you die, tell them that you played my game
I hope your bullet holes become mouths that say my name
Cause I'm the-- [gunshot]

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.