Producer: Twitter

[December 5, 2013:]
Teriyaki Joe: Neo-Harlem Detective

Chapter 5: Gumbo

Morning. The sky is a television screen. The "sky" is the bottom of Central Park

A sunrise and a sunset and all other galactic phenomenon are broadcasted across the bottom of Central Park to be viewed by us Downstairs

The bottom of Neo-Harlem provides the same courteous service to Neo-Orleans which won its spot underneath us. We call it the basement

Underneath that in no particular order is Old London, Sau Paulo, what's left of Los Angeles & Moscow and that's pretty much it

City states stacked on top of each other like a shish kabob. Earth decided to a go a little nuts orbitally speaking.

Scientist still can't explain it. But in short Earth began spinning out of control &. what wasn't literally thrown into space was BBQ'd off.

Some say that's it all a conspiracy and were actually living inside some science project out in the middle of the desert & nothing is real.

Either way here we are. The cities or at least the parts that were able survive the tumult & the apocalyptic meltdown that followed...

..signed treaties and created "The Caste" with the ruthless & rich Central Park literally at the top and us unlucky bastards at the bottoms.

The rest of the planet is either fully automated manufacturing facilities or nothing. Central Park controls all modes of production.

Everything else, religion, philosophy, crime, etc just kind gets in where it fits in. Not lawless but definitely "law-least." Why not?

When the very Earth you live on takes an unexpected shit on you & your way of life everything kinda goes out of focus. Welcome to the blur.

The position of the real Sun over Central Park hasn't changed in about 100 years. If it wasn't 4 the Nano-Gravy it would've been burned away.

It's literally the tip of the iceberg. Gotta be "born" there to live there kinda jazz. An Invitation only Taichi party for the fancy tyrant.

It's ultra-simplistic in form. Just grass, the glass buildings and the all encompassing Gravy. No history, no future. Just never-ending now.

No pressures, no sympathies. Just calm and nihilism. Hence why 11's request, I mean threat, to bring his daughter back is so out of order.

Down here in Neo-Harlem it's none of that. It's all about maximum consumption all the time. Crime & nostalgia & love & hate.

Living like no tomorrow was yesterday. Like the end of the world came and left us behind like bastards on the steps of an abandoned church.

Luckily ppl still want2 find things so that keeps me employed. Luckily 4 them Im really good @ it but maybe not so lucky 4 me this time tho.

I spent the night pondering my next few moves. I knew I needed a Mambo Queen and that meant going Downstairs to Neo- Orleans.

For obvious reasons I'll need a disguise. And a guide who knows her way around...an Eve to lead Adam to the Apple tree. An Eve indeed!

---End Of Chapter 5---

#TJNHD

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.