Released: December 18, 1999

Featuring: T.I.

Songwriter: T.I. Ne-Yo Jeremy Reeves Ray Romulus Jonathan Yip

Producer: The Stereotypes Ne-Yo

[Intro: T.I.]
Hey, Grand Hustle, homie
Yeah, it's the king, partner
Haha, you know I couldn't leave you
Without hollerin' at you one more time right, baby?
Okay, Mary, go

[Verse 1: Mary J. Blige]
Sexy boy, sexy boy, won't you be my
Almond Joy, chocolate kisses, don't you see my
I'm, boy, fixed on you tonight, boy
Only one I want for the rest of my life, boy

[Pre-Chorus: Mary]
Am I coming on too strong?
Do I make you nervous?
Oh
Is this the first time that you heard this?
Oh, baby, you got what I want
And I think I deserve it, won't hurt it
Promise I'll be worth it

[Chorus: Mary]
So give me that, give me that, give me that good love
'Cause baby you're what I'm looking for
And every time you smile I want some more
So give me that, give me that, give me that good love
Now don't you tell me no
Just come here and give me that good love

[Verse 2: Mary]
Mercy me, mercy me, you makin' my
Temperature heat up, heat up, baby, sky high
Ooh ooh, I don't mean to be rude, but if you don't come on
I'ma come and get you

[Pre-Chorus: Mary]
Am I coming on too strong?
Do I make you nervous?
Oh
Is this the first time that you heard this?
Oh, baby, you got what I want
And I think I deserve it, won't hurt it
Promise I'll be worth it

[Chorus: Mary]
So give me that, give me that, give me that good love
'Cause baby you're what I'm looking for
And every time you smile I want some more
Oh, so give me that, give me that, give me that good love
Now don't you tell me no
Just come here and give me that good love

[Bridge]
So give me mine, give me mine, give me mine
Give me that, give me that good love (Good love, oh)
So give me mine, give me mine, give me mine
Give me that, give me that good love (Good love)

[Verse 3: T.I.]
Aye, where my ladies at? Throw you hands up
You see a sucka lookin' at you tell him, "Man up"
So he bought a drink, tell him, "And what?"
That don't mean he got the right to keep you handcuffed
You got your hair done, and your toes, too
You lookin' good, girl, if ain't nobody told you
Even the hood girls with the gold tooth
And working girls who buy the purses and they own shoes
Sophisticated ladies went to school and graduated
Who don't be drinkin' every day, but since they celebratin'
Hey, pop your bottles shawty and do your thing, ma
And let your hair down, and let it hang, ma
To all the single moms raising babies on their own
Forget your baby daddy, baby, you don't need homes
Whether you got your real hair or a weave on
Whether you got some Frankie Bs or some Lees on
From the A-cups to the D-cups
To the Kiki's, Nikki's and Tameka's
Listen, not only will I hit it if you throw it to me
But I'ma beat it like you stole and you owe it to me

[Chorus: Mary]
So give me that, give me that, give me that good love
'Cause baby you're what I'm looking for
And every time you smile I want some more
So give me that, give me that, give me that good love
Now don't you tell me no
Just come here and give me that good love
That good love

[Outro: T.I.]
Alright now
Ladies, this goes out to each and every last one of you, yeah
You know I got enough for all of you
But there can only be one queen
But you can still close your eyes and imagine, right?
Ha, a year and a day and counting
Grand Hustle, homie, it's the king
Alright, I can say that, Mary?
Haha, alright

Mary J. Blige

Mary Jane Blige (b. Jan 11 1971) grew up in the projects of Yonkers, New York. A random decision to record a cover of “Caught Up in the Rapture” by Anita Baker in a pop-up recording booth at a mall led MJB to getting signed by Uptown Entertainment. After providing background vocals on Father MC’s hit single “I’ll Do 4 U” in 1990, a young intern at Uptown named Sean “Puffy” Combs ended up executive producing Mary’s 1992 debut album What’s The 411?. Fusing hip-hop beats with Mary’s soulful voice earned her the nickname “Queen of Hip-Hop Soul”.

She followed up her debut with a string of critically acclaimed albums, including 1994’s My Life and 1997’s Share My World, as well as hit singles such as “Not Gon' Cry,” “Family Affair,” “Be Without You,” and “Just Fine.”

She also collaborated with rappers on a number of tracks, including Jay-Z’s “Can’t Knock the Hustle,” Ghostface Killah’s “All That I Got is You,” Wyclef’s “911,” Common’s “Come Close,” and Method Man’s “I’ll Be There for You/All I Need to Get By,” which was a platinum hit and won the two of them a Grammy Award in 1996 for Best Rap Performance By a Duo or Group.