Released: November 8, 2017

Songwriter: Kenichi Anraku Tomo Low Ryo Ito Franky Mio

[Chorus]
Kimi he no omoi ga takanatte
Kagirinaki chikara umareru
Motomeru naraba doko made mo
Kawaranu kizuna furikazasou
We are hope

[Verse 1]
Kimi to honki de kokoro butsukeatta yorokobi mo
Waraikorogete namida kawakashita setsunasa mo
Tsunagiawasete kaze no naka ah
Hatameiteru yo takaku takaku

[Pre-Chorus]
Why sagasu koto wo akirameta no?
Why hitori tatakaitsuzukeru no?
Nee donna mirai kakugo shita no?
Yume wa mou te ni shita no?

[Chorus]
Kimi he no omoi ga takanatte
Kagirinaki chikara umareru
Tomadou naraba kono sekai ni
Sotto inorou yo dakeru you ni

Me wo tojite mimi wo sumashite
Sagashidasou kimi no kotae wo
Motomeru naraba doko made mo
Kawaranu kizuna furikazasou
We are hope

[Bridge]
Aoku hiroi sekai no hate ni
Kimi to mezashitai basho ga aru
Susumiyuku kouro nara
Tooi mukashi mou kimete ita

[Verse 2]
Kimi to deatte kotoba kawashita ano hi no koto
Itsuka issho ni yume wo kanaeru tte kimeta koto
Meiga no you ni mune no naka ah
Kagayaiteru yo tsuyoku tsuyoku

[Pre-Chorus]
Cry shinjiru mono wo mamoru tame ni
Cry jibun rashiku warau tame ni
Nee hitorikiri de seou mae ni
Kono te wo tsukande yo

[Chorus]
Kimi he no omoi ga takanatte
Kagirinaki chikara umareru
Tomadou naraba kono sekai ni
Sotto inorou yo dakeru you ni

Me wo tojite mimi wo sumashite
Sagashidasou kimi no kotae wo
Motomeru naraba doko made mo
Kawaranu kizuna furikazasou
We are hope

[Bridge]
Mada todokanai kimi no koe ga
Muryoku na mune wo oshitsubusu
Boku wa kimi wo motomete iru kara
Hikari sashikomu asa wo shinjite iyou

[Chorus]
Me wo tojite mimi wo sumashite
Sagashidasou kimi no kotae wo
Michi wa kanarazu tsuzuite iru yo
Mada mita koto no nai umi he
We are hope

[Conclusion]
Aoku hiroi sekai no hate ni
Kimi to kaeru beki basho ga aru
Bokutachi wa eien ni
Tooi mukashi sou kimete ita

Namie Amuro

Namie Amuro (安室奈美恵 In Japanese) is a former Japanese singer, dancer, fashion model, actress and businesswoman. She achieved popularity by a series of successful singles and albums, both exploring different genres and working with producers and musicians outside of Japan, one of the first Japanese artists to do so at the time. Due to her longevity and resilience in the industry, she has been often referred by critics and music publications as the “Teen Queen” of Japan, “Queen of J-Pop”, and the “Japanese Madonna or Janet Jackson”.