Released: July 22, 1996

Songwriter: Tetsuya Komuro Maeda Takahiro

Producer: Tetsuya Komuro

安室奈美恵「Don't wanna cry」の歌詞

[Intro]
La la la la la
La la la la la la la
いつの日か
I'll be there, I'll be there, I'll be there

[Refrain]
I've gotta find a way, so let me go
Because baby I don't wanna cry
I've gotta find a way, so let me go
Because baby I don't wanna cry

[Verse 1]
そうやって待っていても無駄だって
みんなわかってるけどね
じゃぁ何で待っているのかって
聞かれた時に気がついた
殴り合う事じゃなくて
傷つけられたくない
うずくまってガマンしてるのって
痛そうで つらそうで後がない

[Pre-Hook]
今日が終わるたび
胸をなで下ろすなんてやめよう
あきらめること許したら
HELLOだって言えなくなるから

[Hook]
どこへでもつづく道がある
いつの日か I'll be there
I'll be there, I'll be there

[Refrain]
I've gotta find a way, so let me go
急いだってしょうがないけど
Because baby I don't wanna cry
止まってるヒマはない
I've gotta find a way, so let me go
行くんだってばもう
Because baby I don't wanna cry

[Verse 2]
いろんな顔と心って
世界じゅうに溢れてるね
敵味方に分かれ
殺し合いをしているね

[Pre-Hook]
そういう事でしか
たしかめあう事ができなくって
愛しい人 大切な
何もかも守れなくなるよ

[Refrain]
I've gotta find a way, so let me go
やめちゃえばいいのにね
Because baby I don't wanna cry
ツライ・イタイ事なんか

[Interlude]
La la la la la
La la la la la la la
いつまでも
I'll be there

[Hook]
遠くても地図にない場所も
行けるから I'll be there
I'll be there, I'll be there

[Interlude]
La la la la la
La la la la la la la
逢いたい人がいる
I'll be there, I'll be there, I'll be there

[Refrain]
I've gotta find a way, so let me go
こんないいお天気
Because baby I don't wanna cry
さあドアおあけなくっちゃ
I've gotta find a way, so let me go
動けなくなるよ
Because baby I don't wanna cry

[Outro]
La la la la la
La la la la la la la
祈るだけじゃもう届かない
いつの日か I'll be there
I'll be there, I'll be there

[Refrain]
I've gotta find a way, so let me go...
Because baby I don't wanna cry
I've gotta find a way, so let me go
Because baby I don't wanna cry

Namie Amuro

Namie Amuro (安室奈美恵 In Japanese) is a former Japanese singer, dancer, fashion model, actress and businesswoman. She achieved popularity by a series of successful singles and albums, both exploring different genres and working with producers and musicians outside of Japan, one of the first Japanese artists to do so at the time. Due to her longevity and resilience in the industry, she has been often referred by critics and music publications as the “Teen Queen” of Japan, “Queen of J-Pop”, and the “Japanese Madonna or Janet Jackson”.