Released: December 19, 2006

Featuring: JAY-Z

Songwriter: L.E.S. Wyldfyer Nas JAY-Z

Producer: Wyldfyer L.E.S.

[Produced by L.E.S & Wyldfyer]

[Intro: Jay-Z (Nas) & Both]
I know you can feel the magic, baby
Turn the motherfuckin' lights down
Esco, whattup? (Whattup, homie?)
I mean, it's what you expected, ain't it? (Hahaha)
Let's go... uhh, uh, uhh, uh, uhh, uh
Turn the music up in the headphones
Uh, yeah, that's perfect (yeah, right, right)
Uhh, uh, you gotta take ya time, make a nigga wait on this muh'fucka (hahaha!)
Make niggas mad and shit like
Niggas usually just start rappin' after four bars, nigga, go in!
Just start dancin' in this muh'fucka
Yeah, (yeah) we just come outta nowhere

[Chorus: Jay-Z (Nas)]
I feel like a Black Republican, money I got comin' in
Can't turn my back on the hood, I got love for them
Can't clean my act up for good, too much thug in him (nah)
Probably end up back in the hood, like, "Fuck it then"

[Verse 1: Jay-Z (Nas)]
Huddlin' over the oven, we was like brothers then (what?)
Though you was nothin' other than a son of my mother's friend
We had covenant, who would've thought the love would end?
Like Ice Cold's album (uhh), all good things
Never thought we sing the same song that all hoods sang
Thought it was all wood-grain, all good brain
We wouldn't bicker like the other fools, talk good game
Never imagine all the disaster that one good reign, could bring
Should blame, the game, and I could
It's kill or be killed, how could I refrain?
And forever be in debt, and that's never a good thing
So the pressure for success can put a good strain
On a friend you call best, and yes it could bring
Out the worst in every person, even the good and sane
Although we rehearsed it, it just ain't the same
When you put in the game at age sixteen
Then you mix things: like cars, jewelry, and Miss Thing
Jealousy, ego, and pride, and this brings
It all to a head like a coin, cha-ching
The root of evil strikes again, this could sting
Now the team got beef between the Post and the Point
This puts the ring in jeopardy – indefinitely

[Chorus: Jay-Z & Nas]
I feel like a black republican, money I got comin' in
Can't turn my back on the hood, I got love for them (uhh, uhh)
Can't clean my act up for good, too much thug in him (nah)
Probably end up back in the hood, I'm like, "Fuck it then"
I feel like a black militant takin' over the government
Can't turn my back on the hood, too much love for them (nah)
Can't clean my act up for good, too much thug in him
Probably end up back in the hood, I'm like, "Fuck it then"

[Verse 2: Nas (Jay-Z)]
I'm back in the hood, they like, "Hey Nas" (uh)
Blowin' on purp, reflectin' on they lives (uh)
Couple of fat cats, couple of A.I.'s
Dreamin' of fly shit instead of them gray skies
Gray 5s, hatah's wishin' our reign dies
Pitch, sling pies, and niggas they sing, "Why"? (uhh)
Guess they ain't strong enough to handle their jail time
Weak minds keep tryin', follow the street signs
I'm standing on the roof of my building
I'm feelin' the whirlwind of beef, I inhale it
Just like an acrobat ready to hurl myself, through the hoops of fire
Sippin' 80 proof, bulletproof under my attire
Could it be the forces of darkness
Against hood angels of good, that form street politics?
Makes a sweet honest kid, turn illegal for commerce (uhh)
To get his feet out of them Converse – that's my word

[Chorus: Jay-Z & Nas]
I feel like a black republican, money keep comin' in
Can't turn my back on the hood, I got love for them (uhh, uhh)
Can't clean my act up for good, too much thug in him (nah)
Probably end up back in the hood, ah, "Fuck it then"
I feel like a black militant takin' over the government
Can't turn my back on the hood, too much love for them
Can't clean my act up for good, too much thug in him
Probably end up back in the hood, I'm like, "Fuck it then"

Nas

Nasir bin Olu Dara Jones, known to one and all as Nas, is one of hip-hop’s best-known, most mercurial, and lyrically blessed figures ever to touch the microphone. Since his heart-stopping debut turn on Main Source’s “Live at the Barbeque,” Nas has delivered countless beautifully structured, thought-provoking, keenly observed verses.

Growing up in Queens, NY, Nas never really performed in big crowds—he kept to himself. Nas used a different type of vernacular that others didn’t understand, which helped him to stand out from other rappers from his era.

With every ensuing album, Nas always reminds fans that he’s still the same Queensbridge MC who crafted one of the greatest albums of all time, and arguably the bible of Hip-Hop, Illmatic.