Released: March 25, 2019

Featuring: Future

Songwriter: Cash (XO) Tay Keith NAV Future

Producer: Tay Keith

[Intro: Future & Drake]
Pluto and NAV
NAV and Pluto, however you put it
Yeah
Tay Keith, this too hard

[Verse 1: NAV & Future]
I got bands coming in every day now (Every day now)
They were callin' me broke, they got nothin' to say now (Say now)
First brown boy to get it poppin', no debate now (No debate now)
I'm too lit to take a charge and a shakedown (I'm too lit)
Couldn't afford to smoke, so we had to take it (I'm the shit)
Fuck a pound up just to roll up, now we made it (Now we made it)
I got friends that got money, that ain't famous (They ain't famous)
And everywhere they go, gotta keep a stainless (A stainless)
You ain't drippin' just because you in the latest (On God)
Bring her to the studio and let her witness greatness (Greatness)
Bought a foreign coupe and everything upgraded (Skrrt, skrrt)
They want the old NAV, I'ma go back to the basics (Basics)

[Pre-Chorus: NAV & Future]
Make some bitches count the cash, while they naked (Cash)
Ain't a perv, just makin' sure that they won't take it (Take it)
When I'm rollin', I be goin' through different stages (Stages)
Comin' down, I go back up and feel amazing (Comin' down, I go up)

[Chorus: Future & NAV]
Comin' down, I go back up, I feel amazing (Amazing)
Comin' down, I go back up, I feel amazing (Amazing)
Own a Tesla and a Lambo, speed racin' (Skrrt)
Not a doctor, got prescriptions like a patient

[Verse 2: Future]
I got these bitches on Perkys, oh yeah, they countin' my cash, yeah
She got a fetish for niggas from off the block, livin' fast, yeah (Pluto)
I spent like two and a half million on bitch's tab, yeah
I couldn't afford the case, I put a dead body on layaway, yeah
I just hit some pussy on a cash route, yeah
I just send a bookie on a crash course
Diamond Rolex, fuck what you said, that bitch stand out (That bitch stand out)
I took a bitch and I gotta a lick, and I don't got patience
I got foreign cars and I got bitches, Asians (Foreign)
Me and Cash chop the mills, we exchangin' (Gang)
Yeah, bustin' down a plain Jane, copped me one (One)
Hopped in a space rocket, yeah, we long gone

[Pre-Chorus: Future & NAV]
Make these bitches count the cash when they naked (Racks)
Ain't no privileges, just makin' sure you don't take it (Take it)
When I'm rollin', I be goin' through different stages
Comin' down, I go back up, I feel amazing (Coming down, I go)

[Chorus: NAV & Future]
Coming down, I go back up, I feel amazing (Yeah)
Coming down, I go back up, I feel amazing (Yeah)
Own a Tesla and a Lambo, speed racin'
Got no doctor, on prescriptions like a patient

NAV

Navraj Singh Goraya (born November 3, 1989), popularly known as NAV, is an Indian-Canadian recording artist, record producer, and engineer from Rexdale, Ontario, Canada, a district of Toronto. His parents are both from the state of Punjab in India and are fluent in the Punjabi language; NAV himself is fluent in both English and Punjabi and practices the religion of Sikhism, the religion the majority of Punjabs practice.

Following in the footsteps of Canadian singer The Weeknd, the co-founder and leader of XO and a frequent collaborator of his, NAV has preferred to let his SoundCloud do the talking in the early stages of his career. Although going largely unnoticed at the time of its release, NAV’s first noteworthy production credit was in July 2015 when he helped co-produce Drake’s diss track towards Meek Mill, “Back to Back.”

After hearing a string of successful SoundCloud hits, including the self-produced “Myself,” in 2016, Amir “Cash” Esmailian,, the co-founder and manager of XO, reached out to NAV, giving him an opportunity to expand from the revolutionary music platform. NAV has grabbed numerous features since linking up with The Weeknd and the rest of XO, consisting of Belly, 88GLAM, and Black Atlass. His first and arguably most recognizable feature (which he also solely produced) is Travis Scott’s September 2016 song, “beibs in the trap,” from Travis' sophomore studio album, Birds in the Trap Sing McKnight.