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Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes OffPanic! at the Disco

Released: August 7, 2006

Songwriter: Brendon Urie Spencer Smith Ryan Ross

Producer: Matt Squire

[Verse 1]
Is it still me that makes you sweat?
Am I who you think about in bed
When the lights are dim and your hands are shaking
As you're sliding off your dress?
Then think of what you did
And how I hope to God he was worth it
When the lights are dim and your heart is racing
As your fingers touch his skin

[Verse 2]
I've got more wit, a better kiss, a hotter touch, a better fuck
Than any boy you'll ever meet, sweetie, you had me
Girl, I was it, look past the sweat, a better love deserving of
Exchanging body heat in the passenger seat
No, no, no, you know it will always just be me

[Pre-Chorus]
Let's get these teen hearts beating faster, faster

[Chorus]
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?

[Post-Chorus]
So, I guess we're back to us
Oh, cameraman, swing the focus
In case I lost my train of thought
Where was it that we last left off? (Let's pick up and go)

[Verse 3]
Oh, now I do recall
We were just getting to the part where the shock sets in
And the stomach acid finds a new way to make you get sick
I hope you didn't expect to get all of the attention
Now, let's not get selfish
Did you really think I'd let you kill this chorus?

[Pre-Chorus]
Let's get these teen hearts beating faster, faster

[Chorus]
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?

[Post-Chorus]
Dance to this beat, dance to this beat
Dance to this beat
Let's get these teen hearts beating faster, faster
Let's get these teen hearts beating faster

[Verse 4]
I've got more wit, a better kiss, a hotter touch, a better fuck
Than any boy you'll ever meet, sweetie, you had me
Girl, I was it, look past the sweat, a better love deserving of
Exchanging body heat in the passenger seat
No, no, no, you know it will always just be me

[Pre-Chorus]
Let's get these teen hearts beating faster, faster

[Chorus]
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?
So testosterone boys and harlequin girls
Will you dance to this beat and hold a lover close?

[Post-Chorus]
So testosterone boys and harlequin girls, dance to this beat
So testosterone boys and harlequin girls, dance to this beat
And hold a lover close

[Outro]
Let's get these teen hearts beating faster, faster
Let's get these teen hearts beating faster

[Click here to read about the movie that inspired "Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off"]

Panic! at the Disco

Named after a line from Name Taken’s “Panic,” Panic! at the Disco was formed by drummer Spencer Smith, bassist Brent Wilson, guitarist Ryan Ross, and vocalist Brendon Urie, and founded in 2004 in Las Vegas, Nevada. While crafting pop-influenced songs with theatrical themes, quirky techno beats, and perceptive lyrics, they received some much-deserved attention.

They became the first group signed on Pete Wentz’s (bassist in Fall Out Boy) record label, Decaydance Records (now DCD2 Records). Their hit song that started it all, “I Write Sins Not Tragedies,” remains one of their top two top forty songs along with “Hallelujah.”

They have released six studio A Fever You Can’t Sweat Out, Pretty. Odd., Vices & Virtues, Too Weird to Live, Too Rare to Die!, Death of a Bachelor, and now their most recent album Pray for the Wicked. These last two albums were actually solo projects from Brendon Urie, since all the other members of the band had already left the group before their release dates; in 2006, bassist Brent Wilson was fired due to his “lack of responsibility and the fact that he wasn’t progressing musically with the band.” And in 2009, guitarist Ryan Ross and bassist Jon Walker left the band to “embark on a musical excursion of their own,” forming The Young Veins. Dallon Weekes, who joined the band as a bassist and songwriter in 2009, had become a touring member only by the time Death of a Bachelor was released and later left the band completely in order to focus on his own music. Weekes was replaced by Nicole Row, the first female member of the band.

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