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Nine In The Afternoon (Live Session)Panic! at the Disco

Songwriter: Ryan Ross Brendon Urie Spencer Smith Jon Walker

[Verse 1]

Back to the street where we began
Feeling as good as lovers can, you know
Yeah we're feeling so good
Picking up things we shouldn't read
It looks like the end of history as we know
It’s just the end of the world
Back to the street where we began
Feeling as good as love, you could, you can

[Pre-Chorus]

Into a place where thoughts can bloom
Into a room where it's nine in the afternoon
And we know that it could be and we know that it should
And you know that you feel it too

[Chorus]

Because it's nine in the afternoon
And your eyes are the size of the moon
You're good cause you can, so you do
We're feeling so good just the way that we do
When it's nine in the afternoon
Your eyes are the size of the moon
You're good cause you can, so you do
We're feeling so good

[Verse 2]

Back to the street, down to our feet
Losing the feeling of feeling unique
Do you know what I mean?
Back to the place where we used to say
"Man, it feels good to feel this way"
Now I know what I mean

[Bridge]

Back to the street, back to the place
Back to the room where it all began, hey
Back to the room where it all began

[Chorus]

Because it's nine in the afternoon
Your eyes are the size of the moon
You're good cause you can, so you do
We're feeling so good just the way that we do
When it's nine in the afternoon
Your eyes are the size of the moon
You're good cause you can, so you do
We're feeling so good just the way that we do
When it's nine in the afternoon
Your eyes are the size of the moon
You're good cause you can, so you do
We're feeling so good just the way that we do
When it's nine in the afternoon

Panic! at the Disco

Named after a line from Name Taken’s “Panic,” Panic! at the Disco was formed by drummer Spencer Smith, bassist Brent Wilson, guitarist Ryan Ross, and vocalist Brendon Urie, and founded in 2004 in Las Vegas, Nevada. While crafting pop-influenced songs with theatrical themes, quirky techno beats, and perceptive lyrics, they received some much-deserved attention.

They became the first group signed on Pete Wentz’s (bassist in Fall Out Boy) record label, Decaydance Records (now DCD2 Records). Their hit song that started it all, “I Write Sins Not Tragedies,” remains one of their top two top forty songs along with “Hallelujah.”

They have released six studio A Fever You Can’t Sweat Out, Pretty. Odd., Vices & Virtues, Too Weird to Live, Too Rare to Die!, Death of a Bachelor, and now their most recent album Pray for the Wicked. These last two albums were actually solo projects from Brendon Urie, since all the other members of the band had already left the group before their release dates; in 2006, bassist Brent Wilson was fired due to his “lack of responsibility and the fact that he wasn’t progressing musically with the band.” And in 2009, guitarist Ryan Ross and bassist Jon Walker left the band to “embark on a musical excursion of their own,” forming The Young Veins. Dallon Weekes, who joined the band as a bassist and songwriter in 2009, had become a touring member only by the time Death of a Bachelor was released and later left the band completely in order to focus on his own music. Weekes was replaced by Nicole Row, the first female member of the band.

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