Released: March 26, 2007

Songwriter: Brendon Urie Spencer Smith Ryan Ross

Producer: Matt Squire

[Verse 1]
It's these substandard motels on the la-la-la-la-la
Corner of 4th and Fremont Street
Appealing only 'cause they're just that unappealing
Any practiced Catholic would cross themselves upon entering
The rooms have a hint of asbestos and maybe
Just a dash of formaldehyde
And a habit of decomposing
Right before your very la-la-la-la eyes

[Chorus]
Along with the people inside
What a wonderful caricature of intimacy
Inside, what a wonderful caricature of intimacy

[Verse 2]
Tonight's tenants range from a lawyer and a virgin
Accessorizing with a rosary tucked inside her lingerie
She's getting a job at the firm come Monday
The Mrs. will stay with the cheating attorney
Moonlighting aside, she really needs his money
A wonderful caricature of intimacy
Yeah, yeah

[Verse 3]
And not to mention the constable
And his proposition for that “virgin”
Yes, the one the lawyer met with
On “strictly business”
As he said to the Mrs
Well, only hours before, after he had left
She was fixing her face in a compact
There was a terrible crash
There was a terrible crash
Between her and the badge
She spilled her purse and her bag
And held a purse of a different kind

[Chorus]
Along with the people inside
What a wonderful caricature of intimacy
Inside, what a wonderful caricature of intimacy

[Bridge]
There are no
Raindrops on roses and girls in white dresses
It's sleeping with roaches and taking best guesses
At the shade of the sheets and before all the stains
And a few more of your least favorite things
Raindrops on roses and girls in white dresses
It's sleeping with roaches and taking best guesses
At the shade of the sheets and before all the stains
And a few more of your least favorite things

[Chorus]
Inside, what a wonderful caricature of intimacy
Inside, what a wonderful caricature of intimacy

[Outro]
Raindrops on roses and girls in white dresses
It's sleeping with roaches and taking best guesses
At the shade of the sheets and before all the stains
And a few more of your least favorite things
Raindrops on roses and the girls in white dresses
And the sleeping with the roaches and the taking best guesses
At the shade of the sheets and before all the stains
And a few more of your least favorite things

Panic! at the Disco

Named after a line from Name Taken’s “Panic,” Panic! at the Disco was formed by drummer Spencer Smith, bassist Brent Wilson, guitarist Ryan Ross, and vocalist Brendon Urie, and founded in 2004 in Las Vegas, Nevada. While crafting pop-influenced songs with theatrical themes, quirky techno beats, and perceptive lyrics, they received some much-deserved attention.

They became the first group signed on Pete Wentz’s (bassist in Fall Out Boy) record label, Decaydance Records (now DCD2 Records). Their hit song that started it all, “I Write Sins Not Tragedies,” remains one of their top two top forty songs along with “Hallelujah.”

They have released six studio A Fever You Can’t Sweat Out, Pretty. Odd., Vices & Virtues, Too Weird to Live, Too Rare to Die!, Death of a Bachelor, and now their most recent album Pray for the Wicked. These last two albums were actually solo projects from Brendon Urie, since all the other members of the band had already left the group before their release dates; in 2006, bassist Brent Wilson was fired due to his “lack of responsibility and the fact that he wasn’t progressing musically with the band.” And in 2009, guitarist Ryan Ross and bassist Jon Walker left the band to “embark on a musical excursion of their own,” forming The Young Veins. Dallon Weekes, who joined the band as a bassist and songwriter in 2009, had become a touring member only by the time Death of a Bachelor was released and later left the band completely in order to focus on his own music. Weekes was replaced by Nicole Row, the first female member of the band.