Released: September 5, 2000

Songwriter: Kenny Loggins Michael McDonald

Producer: Matt Mahaffey

[Verse 1]
He came from somewhere back in her long ago
The sentimental fool don't see
Trying hard to recreate
What had yet to be created once in her life
She musters a smile for his nostalgic tale
Never coming near what he wanted to say
Only to realize it never really was

[Pre-Chorus]
She had a place in his life
He never made her think twice
As he rises to her apology
Anybody else would surely know
He's watching her go

[Chorus]
What a fool believes, he sees
No wise man has the power to reason away
What seems to be is always better than nothing
Than nothing at all

[Verse 2]
Keeps sending him somewhere back in her long ago
Where he can still believe there's a place in her life
Someday, somewhere, she will return

[Pre-Chorus]
She had a place in his life
He never made her think twice
As he rises to her apology
Anybody else would surely know
He's watching her go

[Chorus]
What a fool believes, he sees
No wise man has the power to reason away
What seems to be is always better than nothing
There's nothing at all
What a fool believes, he sees (if love can come, love can go, why can't love?)
No wise man has the power to reason away
What seems to be is always better than nothing (if love can kill, love can mend, why can't I seem to get better than nothing?)
Than nothing at all

​sElf

Self is largely the project of Matt Mahaffey, a Murfreesboro, Tennessee-based singer/songwriter/multi-instrumentalist who began writing songs at age four and was a professional drummer at 12.

During high school and college he became proficient at home recording, setting up a studio in his basement and recording demos, some of which eventually became part of his debut album, 1995’s Subliminal Plastic Motives. The album, an eclectic blend of power pop, hip-hop, and samples, earned Self a devoted following and tour dates with big alternative acts like Garbage, 311, and Cracker. After being on the road with touring bandmates guitarist/vocalist Mike Mahaffey, keyboardist/vocalist Chris James, drummer Jason Rawlings, and bassist/vocalist Mac Burrus, Matt Mahaffey celebrated his return to the studio by releasing a small-run album, The Half-Baked Serenade, on the local Spongebath label, which he co-founded. In 1999 Self returned to the limelight with the tonally diverse Breakfast with Girls, which was co-released by Spongebath and Dreamworks. Arriving in 2000, the quirky Gizmodgery was performed exclusively on toy instrumentation and was quickly followed by a pair of free digital releases, Selfafornia and Self Goes Shopping.

In the early 2000s Mahaffey relocated to Los Angeles, where he launched a career as a successful producer and collaborator working with a wide variety of artists like Beck, P!nk, Keith Urban, Butch Walker, and Tenacious D. Self completed a major-label follow-up to Breakfast with Girls in 2004 called Ornament & Crime, though it was ultimately shelved by Dreamworks (however, it finally received an official release via El Camino Media in 2017). Many, if not all, of the songs that were recorded during the Ornament & Crime recording sessions that didn’t make the final album cut appeared in demo form on the self-issued 2005 collection Porno, Mint & Grime. That same year, Mahaffey’s brother and Self bandmate Mike Mahaffey passed away. Over the next decade, Self remained on the back burner while Mahaffey and his other bandmates worked on their own projects. Despite a handful of reunion shows, their next recorded output would be the 2010 single “Could You Love Me Now?,” followed in 2011 by another single, “Looks and Money.” Finally, in 2014, Self returned with a more substantial release in the form of the six-song EP Super Fake Nice. The band continued to perform sporadically over the next few years. ~ Heather Phares, Rovi

From the album