Released: November 4, 1987

Songwriter: Sinéad O’Connor John Reynolds Mike Clowes Ali McMordie

Producer: Kevin Moloney Sinéad O’Connor

Ran down and the lady said it
It got torn down
And the priest just said
It got burned
They give me five years five years
It's my turn

Ran down and the lady said it
It got torn down
And the priest just said
It got burned
They give me five years five years
It's my turn

Oh Jerusalem
Oh Jerusalem

Getting tired of you doing this to me
I'm gonna hit you if you say that to me
One more time
I want to see you
And you're saying you're busy
I want to stop it
And you said it would be easy
It sure takes time

Hope your next time
Gonna be the last time
Hope you don't two-time
It'll be the best time
There won't be no next time
It's show time
I hope you do
What you said
When you swore
You'd make it better
Deliver all the letters
On time

Jerusalem
Jerusalem

Jerusalem
Jerusalem

Jerusalem

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.