Songwriter: Burning Spear

Producer: Sly & Robbie

Door peep shall not enter this a holy land
Where wise and true man stand
Sipping from this cupful cup of peace
Not one shall enter
Not one

Door people shall not enter
This a holy land
Where wise and true man stand
Sipping from the cup of peace
We chant down a babylon
We chant down a babylon
We chant down a babylon
Chant down a babylon

Give thanks and praise
Give thanks and praise
Give thanks and praise
You give thanks and praise
To the holy man of creation

You chant down a babylon
Chant down a babylon
We chant down a babylon
Chant down a babylon

Give thanks and praise
Give thanks and praise
Give thanks and praise
Give thanks and praise
To the holy man of creation

Door peep shall not enter
This a holy land
Where wise and true man stand
Sipping from the cup of peace
We chant down a babylon
We chant down a babylon
We chant down a babylon
Chant down a babylon

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.