Released: October 22, 1991

Songwriter: Bernie Taupin Elton John

Producer: Sinéad O’Connor

[Verse 1]
It's a human sign
When things go wrong
When the scent of her lingers
And temptation's strong
Into the boundary
Of each married man
Sweet deceit comes calling
And negativity lands

[Chorus]
Cold, cold heart
Hard done by you
Some things lookin' better, baby
Just passin' through
And it's no sacrifice
Just a simple word
Two hearts livin'
In two separate worlds
But, it's no sacrifice
No sacrifice
No sacrifice, at all

[Verse 2]
Mutual misunderstandings
After the fact
Sensitivity builds a prison
In the final act
We lose direction
No stone unturned
No tears to damn you
When jealousy burns

[Chorus]
Cold, cold heart
Hard done by you
Some things look' better, baby
Just passin' through
And it's no sacrifice
Just a simple word
Two hearts livin'
In two separate world
And, it's no sacrifice
No sacrifice
No sacrifice, at all

[Outro]
I gave my heart
I gave my heart
I gave my heart
I gave my heart

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.