Released: September 13, 1994

Songwriter: Sinéad O’Connor

Producer: John Reynolds Sinéad O’Connor

All babies are born saying God's name
Over and over
All born singing God's name
All babies are flown from the Universe
From there they're lifted by the hands of angels
God gives them the stars to use as ladders
She hears their calls
She is mother and father
All babies are born out of great pain
Over and over
All born into great pain
All babies are crying
For no-one remembers God's name

All babies are born saying God's name
Over and over
All born singing God's name
All babies are flown from the Universe
From there they're lifted by the hands of angels
God gives them the stars to use as ladders
She hears their calls
She is mother and father
All babies are born out of great pain
Over and over
All born into great pain
All babies are crying
For no-one remembers God's name

There's only love
There's only love
There's only love in this world

There's only love
There's only love
There's only love in this world

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.