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BulletproofangelThe Goo Goo Dolls

Songwriter: The Goo Goo Dolls

Producer: Rob Cavallo

[Verse 1]
I see her every morning
In the middle of the street
The suits don't even notice
They're staring at their feet
She hears a secret choir
That sings for me and you
You know I don't believe her
But I say I hear them too

[Chorus]
Angel, you're bulletproof
You're so high, you see the truth
And I'm still on the ground pretending I
That I could be like you

[Verse 2]
She asked if I'm a lover
I said I try to be
She said love until your heart breaks
Cause there are no guarantees

[Chorus]
Angel, you're bulletproof
You're so high, you see the truth
And I'm still on the ground pretending I
That I could be like you

[Bridge]
Call out to heaven
Just to let them know
You're here
Stay with me a moment
Say I'm not alone
And tell me that I'll see you again

[Chorus]
Angel, you're bulletproof
You're so high, you see the truth
And I'm still on the ground pretending I
And how could i have ever passed you by?
Cause I'm still on the ground pretending I
That I could be like you
That I could be like you

The Goo Goo Dolls

The Goo Goo Dolls are an American rock band formed in 1986 in Buffalo, NY, during one of Buffalo’s most prolific underground music phases. The band was formed by John Rzeznik (Also known as Johnny Rzeznik), lead singer and songwriter for the band, with bassist/vocalist Robby Takac, and drummer George Tutuska. Mike Malinin later replaced Tutuska as the band’s drummer.

The band has released twelve studio albums between 1986 and 2017, but they are best known for platinum-selling A Boy Named Goo (1995) and Dizzy Up the Girl (1998). These mid- to late 1990s albums contain the Goo Goo Dolls' biggest hits to date – Name and Iris most notably, but also Slide, Black Balloon, and Dizzy

These hits made the Goo Goo Dolls a household name for radio-friendly “prom night power balladry” (as one Rolling Stone review put it), but the band’s early output was often far rougher musically, melding the band’s edgier punk influences with an often soft sensibility in the mold of the band’s early heroes, The Replacements. One can hear these influences on many songs on A Boy Named Goo though these affinities would fade after Dizzy Up the Girl.

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