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Only OneThe Goo Goo Dolls

Released: February 25, 1995

Songwriter: Robby Takac John Rzeznik

Producer: Lou Giordano

[Verse 1]
I'll open up my head awhile
Its been dead for years
Must've been a victim of my peers
One is for my happiness
The other for my health
The last is something bigger than myself

[Chorus]
I ain't the only one
I ain't the only one
I ain't the only one to say

[Verse 2]
I'm talking to myself again
I'll just start a fight
And nobody can prove me wrong, I'm right
Anti-hero idol with a suicide excuse
A thousand other suckers who try and fill your shoes

[Chorus]
I ain't the only one
I ain't the only one
I ain't the only one to say
I ain't the only one
I ain't the only one
I ain't the only one to say

[Bridge]
Little pictures in my head, turning inside-out again
'Cause fucking up takes practice, I feel I'm well rehearsed
Because the past is a bully and the future's even worse
Tell me what you fear cuz I can feel it like a curse

[Pre-Chorus]
Well, you used to be a folk singer, now you're just a joke singer
Ain't no smoking dope singer, swinging from a rope singer

[Chorus]
I ain't the only one
I ain't the only one
I ain't the only one to say

The Goo Goo Dolls

The Goo Goo Dolls are an American rock band formed in 1986 in Buffalo, NY, during one of Buffalo’s most prolific underground music phases. The band was formed by John Rzeznik (Also known as Johnny Rzeznik), lead singer and songwriter for the band, with bassist/vocalist Robby Takac, and drummer George Tutuska. Mike Malinin later replaced Tutuska as the band’s drummer.

The band has released twelve studio albums between 1986 and 2017, but they are best known for platinum-selling A Boy Named Goo (1995) and Dizzy Up the Girl (1998). These mid- to late 1990s albums contain the Goo Goo Dolls' biggest hits to date – Name and Iris most notably, but also Slide, Black Balloon, and Dizzy

These hits made the Goo Goo Dolls a household name for radio-friendly “prom night power balladry” (as one Rolling Stone review put it), but the band’s early output was often far rougher musically, melding the band’s edgier punk influences with an often soft sensibility in the mold of the band’s early heroes, The Replacements. One can hear these influences on many songs on A Boy Named Goo though these affinities would fade after Dizzy Up the Girl.

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