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Slave GirlThe Goo Goo Dolls

Songwriter: Richard Jakimszyn Mick Blood

[Verse]
Let me tell you about a girl I know
I drag her around wherever I go
This little woman drives me insane
She's tied to my ankle with a ball and chain
For sixteen years, she's been hanging around
Trying to bury me in a hole in the ground
Well, I think it's time that I even the score
There's only room for one in this cage of yours
Don't save me when I starting to drown
Don't use me when you don't want me around
Just be my slave girl, cuz that's all I need
So take a little step back to the stone age with me
Go!
Well I hear a strange noise as I lie in my bed
I feel a lotta water dripping on my head
I look around tried to see through my hair
You left me alone, but do you think I care?
Cuz you moved me when I was taking my time
You abused me when I'm outta line
You tried to warn me of the danger sign
So watch out!
Go!
Well, you got me in the bondage of another age
You drive me to distraction in a primitive way
I can't control my instincts when I hear her say
Just come around and see me if you lose your way
So join my chain gang, play along with me
I'll be your caveman, it's basic as can be
I'm not insane, man, I'm just outta my tree

The Goo Goo Dolls

The Goo Goo Dolls are an American rock band formed in 1986 in Buffalo, NY, during one of Buffalo’s most prolific underground music phases. The band was formed by John Rzeznik (Also known as Johnny Rzeznik), lead singer and songwriter for the band, with bassist/vocalist Robby Takac, and drummer George Tutuska. Mike Malinin later replaced Tutuska as the band’s drummer.

The band has released twelve studio albums between 1986 and 2017, but they are best known for platinum-selling A Boy Named Goo (1995) and Dizzy Up the Girl (1998). These mid- to late 1990s albums contain the Goo Goo Dolls' biggest hits to date – Name and Iris most notably, but also Slide, Black Balloon, and Dizzy

These hits made the Goo Goo Dolls a household name for radio-friendly “prom night power balladry” (as one Rolling Stone review put it), but the band’s early output was often far rougher musically, melding the band’s edgier punk influences with an often soft sensibility in the mold of the band’s early heroes, The Replacements. One can hear these influences on many songs on A Boy Named Goo though these affinities would fade after Dizzy Up the Girl.

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