Released: March 18, 2011

Songwriter: Nick Valensi Julian Casablancas

Producer: The Strokes Gus Oberg

Wait time is the worst
I can hardly sit
No one has the time
Someone's always late

I look for you
And you look for me

I don't know why
I came down
I hold your phone
Don't wake up
I hear a voice
In the ground

Tell me, don't tell me
The hard part is telling you
Something that you would not like me to tell you
Tell me, don't tell me
The hard part is telling you
Something that you would not like me to tell you

Wait time is to blame
Mapped out fame's a trip
We all have the time
Someone's always fed

I look for you
And you look away

I don't know why
I came down
I hold your phone
Don't wake up
I hear a voice
In the ground

(Waking up is so much fun to do)
Tell me, don't tell me
The hard part is telling you
Something that you would not like me to tell you
(An 80's movie make-out party with you)
Tell me, don't tell me
The hard part is telling you
Something that you would not like me to tell you

The Strokes

The Strokes burst onto the scene at a time when rock fans were desperate for an alternative to the rap-rock that was dominating the airwaves. That the band lived up to expectations after being hailed ‘saviors of guitar rock’ solely based on the strength of a three song EP is a testament to the quality of their flawless debut, July 2001’s Is This It.

Ultimately, they are a band that truly relies on the strength of the entire lead singer Julian Casablancas, lead guitarist Nick Valensi, drummer Fabrizio Moretti, guitarist Albert Hammond Jr., and bassist Nikolai Fraiture. However, much of The Strokes' output has been influenced by the domineering vision of Casablancas' songwriting.

Before he took a small step back on their third album, January 2006’s First Impressions of Earth, and then isolated himself to record March 2011’s Angles, Casablancas was involved in almost every step of The Strokes' recording process. He wrote all of the lyrics and the music on their first two albums and was constantly involved in the mixing of the records.