Released: January 12, 1987

Songwriter: Matt Johnson

Producer: Warne Livesey Matt Johnson

I followed that bead of sweat
To the small of your back
From the nape of your neck
Lightin' it up, with every drag upon my cigarette

It can run, but it can't hide--
Like the unspoken feelings on your mind
I'm too tense to be tender
Your too weak to be true
You try to make it easier upon yourself
By makin' it hard on you!
But it's the lies in your eyes
That make me wanna cry--
It's just sometimes I get so lonesome
--I could die

[Chorus]
I'm just another western guy
With desires that I can't satisfy
So all the love I gave to you
Means nothing at all
Dear God, God, God, this slow train to dawn

So are you lying when you say you love me
I'm lying when I say I don't--
We've opened our hearts to let each other look in
To have and to hold
But it's the words that remain unsaid
That are the words I wanna hear you speak
I bet the birds start singing, & the sun comes up
Before we fall asleep--

Oh the tears in your eyes, just make me wanna cry
It's just sometimes I get so lonesome--I Could Die!!

[Chorus]
I'm just another western guy
With desires that I can't satisfy
So all the love I gave to you
Means nothing at all
Dear God, God, God, this slow train to dawn

The The

The The effectively serves as the pseudonym for British singer/songwriter Matt Johnson and his recordings with a revolving door of backing musicians and whatever collaborators he’s brought with him into the studio. These collaborators comprise a veritable who’s who of UK pop in the 80 among the many are Johnny Marr, Marc Almond, Sinead O'Connor, Peter Christopherson, David Johansen, Jools Holland, Neneh Cherry and J.G. Thirlwell.

Johnson first formed The The in 1979 with Keith Laws on synthesizer (Laws, interestingly, was the one who suggested the name “The The”). One year later, they added a rhythm section (Tom Johnston [bass] & Peter Ashworth [drums]) and signed to 4AD Records. A year after that, every member of the band left to pursue their day jobs (Johnston is now a cartoonist, Ashworth a photographer and Laws a professor of neuropsychology).

Johnson continued the band himself, playing almost every instrument on their first three albums (with the exception of the frequent guest and session musicians). The quote-unquote band’s official debut came with 1983’s Soul Mining, a synth-pop album which garnered Johnson great critical acclaim and some mild chart success (especially with singles “This is the Day” and “Uncertain Smile”). Johnston stayed away from live performance, instead deciding to release his sophomore record, 1986’s Infected alongside an album-length video.