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I’m EighteenAlice Cooper

Songwriter: Alice Cooper Michael Bruce Glen Buxton Dennis Dunaway Neal Smith

Producer: Jack Richardson Bob Ezrin

[Verse 1]
Lines form on my face and hands
Lines form from the ups and downs
I'm in the middle without any plans
I'm a boy and I'm a man

[Chorus 1]
I'm eighteen, and I don't know what I want
Eighteen, I just don't know what I want
Eighteen, I gotta get away
I gotta get out of this place, I'll go runnin in outer space, oh yeah

[Verse 2]
I got a baby's brain and an old man's heart
Took eighteen years to get this far
Don't always know what I'm talkin' about
Feels like I'm livin' in the middle of doubt

[Chorus 2]
'Cause I'm eighteen
I get confused everyday
Eighteen, I just don't know what to say
Eighteen, I gotta get away

[Bridge]
Lines form on my face and my hands
Lines form on the left and right
I'm in the middle, the middle of life
I'm a boy and I'm a man

[Outro]
I'm eighteen and I like it
Yes I like it, oh I like it, love it, like it, love it
Eighteen, Eighteen!
Eighteen, eighteen and I like it

Alice Cooper

Alice Cooper is the stage name and ‘fun villain’ character of Vincent Furnier. Cooper became the target of parents and ministers for his dark lyrics and gory theatrical performances that earned him the title Godfather of Shock Rock. Despite once claiming the name was conjured from a ouija board that told him he’s the reincarnation of a 17th century witch, Cooper laughs the topic off with flippant answers like “It was either a Scrabble board or a bowl of alphabet soup” and “I didn’t want a name like Iron Butterfly or Black Sabbath. I wanted it to be something your aunt might be called.”

The band Alice Cooper was originally signed by Frank Zappa to his own record label. Their first notoriety came when Cooper tossed a wayward chicken (possibly arranged by long-time manager Shep Gordon) into the crowd, who then tore it apart at the 1969 Toronto Rock ‘n’ Roll Revival Festival. Newspapers claimed he’d bit the bird’s head off and drank its blood. Zappa advised them to not deny the story and Cooper used it as inspiration to make his character darker.

The band’s teaming with producer Bob Ezrin for their third album Love It To Death led to their US breakthrough with a top 30 hit “I’m Eighteen” in early 1971. By then, the band was already infamous for their stage show, which had escalated into simulated torture and executions. That same year, Killer was released with its two singles “Under My Wheels” and “Be My Lover” finding moderate US success, and both albums being certified gold the following year.

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Love It to Death

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