Babyface

Featuring: Migos

[Verse 1: Drake]
Versace, Versace, Medusa head on me like I’m ‘Luminati
This is a gated community, please get the fuck off the property
Rap must be changin’ cause I’m at the top and ain’t no one on top of me
Niggas be wantin’ a verse for a verse, but man that’s not a swap to me
Drownin’ in compliments, pool in the backyard that look like Metropolis
I think I’m sellin’ a million first week, man I guess I’m an optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the fuck is you talkin’ ’bout? Saw this shit comin’ like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows Versace, the sheets are Versace, I just won a Grammy
I been so quiet, I got the world like “What the fuck is he planning?”
Just make sure that you got a back up plan cause that shit might come in handy
Started a label, the album is comin’ September, just wait on it
This year I’m eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like “damn I look great on it”
I do not fuck with your new shit, my nigga, don’t ask for my take on it
Speakin’ in lingo, man this for my nigga that trap out the bando
This for my niggas that call up Fernando to move a piano
Fuck all your feelin’s cause business is business, its strictly financial
I’m always the first one to get it, man that’s how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin’ me “Papi”
I’m all on the low, take a famous girl out with me, no paparazzi
I’m tryna give Halle Berry a baby and no one can stop me

[Hook]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace

[Verse 2]
Versace, Versace, Medusa head on me like I’m ‘Luminati
I know that you like it, Versace, my neck and my wrist is so sloppy
Versace, Versace, I love it, Versace the top of my Audi
My plug, he John Gotti, he give me the dozen, I know that they’re mighty
Shoes and shirt Versace, your bitch want in on my pockets
She ask me why my drawers silk, I told that bitch “Versace”
Cheetah print on my sleeve, but I ain’t ever been in the jungle
Try to take my sack, better run with it, nigga don’t fumble

[Hook]

[Verse 3: Takeoff]
You can do Truey, I do it Versace
You copped the Honda, I copped the Mazi
You smoke the mid, I smoke exotic
I set the trend, you niggas copy
Kick in the door like I work at Hibachi
Look at the watch, blow it, hot like some Taki
Come in my room, my sheet Versace
Go to sleep, I dream Versace
Medusa, Medusa, Medusa

[Hook]

Kenneth “Babyface” Edmonds (born April 10, 1959 in Indianapolis, Indiana) is a Grammy Award-winning producer, singer, and songwriter responsible for a string of hits in the 1980s and 1990s. He has written and produced more than 20 number-one hits and won 11 Grammys—including three for Producer of the Year—for his work with Boyz II Men, Whitney Houston, Eric Clapton, Alicia Keys, and Toni Braxton, as well as his own work as an artist.

Babyface got his nickname from funk legend Bootsy Collins after joining his backing band in the 1970s. He joined the group Manchild in the late ‘70s—a group that also included his frequent collaborator Daryl Simmons—before moving out West and working with the group The Deele in the early 1980s, forming a bond with his bandmate and future production partner L.A. Reid. After producing the hit “Two Occasions” for The Deele, L.A. & Babyface broke off and became one of the biggest superproducer duos in R&B, rivaling the hits of fellow superproducer duo Jimmy Jam & Terry Lewis.

L.A. & ‘Face had their hands in a string of #1 R&B hits in the late '80s and early '90s from artists such as Pebbles (“Girlfriend”), Karyn White (“Superwoman”), The Whispers (“Rock Steady”), Johnny Gill (“My, My, My”) and many more. They were also instrumental in the success of post-New Edition era Bobby Brown as they produced his #1 hits “Don’t Be Cruel,” “Every Little Step,” “On Our Own,” and “Humpin' Around.” They made history with Boyz II Men in 1992 as they wrote and produced “End of the Road,” which spent a record-breaking 14 consecutive weeks atop the pop chart.

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