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Whip AppealBabyface

Released: July 23, 1989

Songwriter: Pebbles Babyface

Producer: LA Reid Babyface

[Verse 1]
Somebody told me
There'd be trouble at home
'Cause we never talk a lot
When we spend time alone
So how are we supposed to know
Know when something is wrong
Well, we've got a way to communicate
It keeps a happy home

[Hook 1]
And no one does it like me
And no one but you
Has that kind of whip appeal on me

[Hook 2]
Keep on whippin' on me
Work it on me
Whip all your sweet sweet lovin' on me
Keep on whippin' on me
Work it on me
Whip all your sweet sweet lovin' on me

[Verse 2]
When we go to work
How the day seems so long
The only thing I think about
Can't wait 'til we get home
'Cause we got a way of talking
And it's better than words
It's the strangest kind of relationship
Oh, but with us it always works

[Hook 1]
And no one does it like me
And no one but you
Has that kind of whip appeal on me

[Hook 3]
Whatever you want (whatever you want babe)
It's alright with me (it's alright with me)
'Cause you've got that whip appeal
So work it on me
It's better than love
Sweet as can be
You've got that whip appeal
So whip it on me (baby)

[Hook 2]
Keep on whippin' on me
Work it on me
Whip all your sweet sweet lovin' on me
Keep on whippin' on me
Work it on me
Whip all your sweet sweet lovin' on me

Babyface

Kenneth “Babyface” Edmonds (born April 10, 1959 in Indianapolis, Indiana) is a Grammy Award-winning producer, singer, and songwriter responsible for a string of hits in the 1980s and 1990s. He has written and produced more than 20 number-one hits and won 11 Grammys—including three for Producer of the Year—for his work with Boyz II Men, Whitney Houston, Eric Clapton, Alicia Keys, and Toni Braxton, as well as his own work as an artist.

Babyface got his nickname from funk legend Bootsy Collins after joining his backing band in the 1970s. He joined the group Manchild in the late ‘70s—a group that also included his frequent collaborator Daryl Simmons—before moving out West and working with the group The Deele in the early 1980s, forming a bond with his bandmate and future production partner L.A. Reid. After producing the hit “Two Occasions” for The Deele, L.A. & Babyface broke off and became one of the biggest superproducer duos in R&B, rivaling the hits of fellow superproducer duo Jimmy Jam & Terry Lewis.

L.A. & ‘Face had their hands in a string of #1 R&B hits in the late '80s and early '90s from artists such as Pebbles (“Girlfriend”), Karyn White (“Superwoman”), The Whispers (“Rock Steady”), Johnny Gill (“My, My, My”) and many more. They were also instrumental in the success of post-New Edition era Bobby Brown as they produced his #1 hits “Don’t Be Cruel,” “Every Little Step,” “On Our Own,” and “Humpin' Around.” They made history with Boyz II Men in 1992 as they wrote and produced “End of the Road,” which spent a record-breaking 14 consecutive weeks atop the pop chart.

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