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DivaBeyoncé

Released: January 20, 2009

Songwriter: Beyoncé Bangladesh Sean Garrett

Producer: Beyoncé Sean Garrett Bangladesh

[Chorus]
I'm a-a diva (hey), I'm a, I'm a-a diva (hey)
I'm a, I'm a-a diva (hey), I'm a, I'm a-a diva
I'm a, I'm a-a diva (hey), I'm a, I'm a a diva
I'm a, I'm a a diva (hey), I'm a, I'm a a di...

[Post-Chorus]
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla

[Verse 1]
Stop the track, lemme state facts
I told you, gimme a minute and I'll be right back
Fifty million 'round the world and they say that I couldn't get it
I done got so sick and filthy with Benjis, I can't spend it
How you gon' be talkin' shit? You act like I just got up in it
Been the number one diva in this game for a minute
I know you read the paper - the one that they call the Queen
Every radio 'round the world know me 'cause that's where I be (first!)

[Chorus]
I'm a-a diva (hey), I'm a, I'm a-a diva (hey)
I'm a, I'm a-a diva (hey), I'm a, I'm a-a diva
I'm a, I'm a-a diva (hey), I'm a, I'm a a diva
I'm a, I'm a a diva (hey), I'm a, I'm a a di...

[Post-Chorus]
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla

[Verse 2]
When he pull up, wanna pop my hood up
Bet he better have a six-pack in the cooler
Gettin' money, diva's gettin' money
If you ain't gettin' money, then you ain't got nothin' fo' me
Tell me somethin', (Tell me somethin')
Where yo boss at (Where yo' boss at?)
Where my ladies up in here that like to talk back? (That like to talk back)
I wanna see her (I wanna see her)
I'd like to meet ya (I'd like to meet her)
What you say? (Not to me)
She ain't no diva (She ain't no diva)...

[Pre-Bridge]
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla

[Bridge]
Since 15 in my stilettos, been struttin' in this game
"What's yo age?" was the question they ask when I hit the stage
I'm a diva, best believe her, you see how she gettin' paid?
She ain't callin' him to greet her, don't need him, her bed's made
This is a stick-up, stick-up (I need them bags, all that money)
We're gonna stick-up, stick-up (You see them ask, "Where that money?")
All my ladies get it up, I see you, I do the same;
Take it to another level, no passengers on my plane

[Pre-Bridge]
I'm a, I'm a-a diva (hey), I'm a, I'm a a diva
I'm a, I'm a a diva (hey), I'm a, I'm a a di...

[Bridge]
This is a stick-up, stick-up (I need them bags, all that money)
Stick-up, stick-up (You see the mask, "Where that money?")

[Chorus]
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla
Na-na-na, diva is a female version of a hustla, of a hustla, of a, of a hustla...

[Outro]
I'm a, I'm a-a diva, I'm a, I'm a-a diva, I'm a, I'm a-a diva.....
(Hey)

Beyoncé

In the twenty-first century, no pop star was as poised, as polished, or as generally fierce as Beyoncé. She scored early success with Destiny’s Child, who started out as a sexier and sassier (if less adult) version of TLC, then steadily became more and more of a vehicle for Beyoncé’s operatic vocals and general diva-tude, which may have been the plan all along.

Whether appearing in TV spots, co-starring in films like Dreamgirls, or killing it every night on stadium tours, Beyoncé was omnipresent in the 2000s. Almost everybody, Beygency member or otherwise, loved shiny, hip-hop-fueled hits like “Crazy in Love”, and “Single Ladies (Put a Ring on It)”. Moving into the 2010s, Beyoncé fights on, gaining more and more traction in pop culture with her work and music.

She has made a significant impact upon the music landscape in general with her recent albums 4 and BEYONCÉ, which explored complex themes like motherhood, feminism, marriage, sexuality, and doubt in a greater depth. With Lemonade, she went a step further—the fierce, intimate exploration of marriage, infidelity, and forgiveness was her most personal and musically daring album yet.

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