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Coffee & TVBlur

Released: June 28, 1999

Songwriter: Damon Albarn Dave Rowntree Alex James Graham Coxon

Producer: William Orbit

[Verse 1]
Do you feel like a chainstore?
Practically floored
One of many zeros
Kicked around, bored
Your ears are full but you're empty
Holding out your heart
To people who never really
Care how you are

[Chorus]
So give me coffee and TV
Easily
I've seen so much, I'm going blind
And I'm brain-dead, virtually
Sociability
It's hard enough for me
Take me away from this big, bad world
And agree to marry me
So we can start over again

[Verse 2]
Do you go to the country?
It isn't very far
There's people there who will hurt you
Because of who you are
Your ears are full of the language
There's wisdom there, you're sure
Until the words start slurring
And you can't find the door

[Chorus]
So give me coffee and TV
Easily
I've seen so much, I'm going blind
And I'm brain-dead, virtually
Sociability
It's hard enough for me
Take me away from this big, bad world
And agree to marry me
So we can start over again

[Instrumental bridge]

[Chorus]
So give me coffee and TV
Easily
I've seen so much, I'm going blind
And I'm brain-dead, virtually
Sociability
It's hard enough for me
Take me away from this big, bad world
And agree to marry me
So we can start over again

[Outro]
Oh, we could start over again
Oh, we could start over again
Oh, we could start over again
Oh, we could start over again

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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