Bodega Bamz

Released: April 25, 2017

Songwriter: Bodega Bamz

Producer: A.CHAL

[Intro]
I'm young and living out of order
If you meet someone like me, next time, never let 'em go
Alright

[Verse 1]
Give me my fetti, I told 'em I'm ready
A milli before I turn thirty
I made it, my nigga, I'm cleaning my money
My face and fingernails dirty
I'm painting a picture so vivid
I feel like my time burning like Salvador Dalí
Champán ya mañana
Jacuzzi and bubbles with bitches who paid for they body
Tell them to pop it for Papi
Tell them to bring they whole posse
Dreaming a milli, we buildin' the buildin'
We started with coke in the lobby
Tell them to pop it for Papi
Tell them to bring they whole posse
Dreaming a milli, we buildin' the buildin'
We started with coke in the lobby, nigga

[Hook]
One, one, one hunnid, one hunnid (Keep It)
One, one, one hunnid, one hunnid (Keep It)
One, one, one hunnid, one hunnid (Keep It)
One, one, one hunnid, one hunnid (Keep It)

[Bridge]
I'm young and living out of order
I'm young and living out of order
I'm young and living out of order
I'm young and living out of order
Alright
If you meet someone like me, next time, never let 'em go

[Verse 2]
The business corrupted, could never be trusted
This industry will never change
You die for a dollar and sell your soul prior
To labels who don't ring a name
I'm here to bring order, give lyrical slaughter
And horror, they feeling my pain
My mother, my sister, my niece
Only women I love, you think it's a shame?
Yell, "Never ever trust a hoe"
I been down that road befo'
So pop it for Papi, you soaking your panty?
Just make sure you take it off slow
Never ever trust a hoe
I been down that road befo'
So pop it for Papi, you soaking your panty?
Just make sure you take it off slow

[Outro]
Keep It 100

Papi. Young Don. El Rey. Whatever you call him, Bodega Bamz is a major influence in New York’s underground rap scene. Born on March 17th, 1985 as Nathaniel de la Rosa, his ethnic background is half Dominican and half Puerto Rican. Bodega Bamz constantly reps Spanish Harlem in his own sub-genre of Latin Trap.

Bamz’s brother, Ohla, is a vital part of his life and career. He plays a role in the creative process of most of Bamz’s music, as well as the corporate side of things. “My brother, my manager, everything.”

For most of his childhood, Bamz wasn’t allowed to listen to hardcore rap. His exposure to the genre grew thanks to his cousin, Ace, who had a wide collection of rap CDs. In high school, Bamz began battle rapping. A popular hobby at the time, it was his defining moment as a rapper. However, he started to take music much more seriously when he became a father.

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