Songwriter: Mike Stoller Jerry Leiber

Producer: Derek Bramble Hugh Padgham David Bowie

[Chorus]
I keep forgetting you don't love me no more
I keep forgetting you don't want me no more
I keep forgetting that you told me that you
Didn't want me around any more

[Verse 1]
But these stupid old feet
Just head for your street
Like they've done so many times before
And this stubborn old fist
On the end of my wrist
Keeps a knocking on your front door

[Chorus]
I keep forgetting you don't love me no more
I keep forgetting you don't want me no more
I keep forgetting about those heartbreaking nights
And those heartbreaking things
That you said

[Verse 2]
Though I know in my heart
We're drifting apart
I can't believe that our love is dead
Though it's plain as can be
That you're finished with me
I just can't get it through my head

[Chorus]
I keep forgetting you don't love me no more
I keep forgetting you don't want me no more

[Verse 3]
Though I know in my heart
We're drifting apart
I can't believe that our love is dead
Though it's plain as can be
That you're finished with me
I just can't get it through my head

[Chorus]
I keep forgetting you don't love me no more
I keep forgetting you don't want me no more
I keep forgetting you don't love me no more
I keep forgetting you don't want me no more

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.