Released: June 11, 2002

Songwriter: David Bowie

Producer: Tony Visconti David Bowie

Ooh

He looked a lot like Che Guevara, drove a diesel van
Kept his gun in quiet seclusion, such a humble man
The only survivor of the National People's Gang
Panic in Detroit, I asked for an autograph
He wanted to stay home, I wish someone would phone
Panic in Detroit

He laughed at accidental sirens that broke the evening gloom
The police had warned of repercussions, they followed none too soon
A trickle of strangers were all that were left alive
Panic in Detroit, I asked for an autograph
He wanted to stay home, I wish someone would phone
Panic in Detroit

Putting on some clothes, I made my way to school
I found my teacher crouching in his overalls
I screamed and ran to smash my favorite slot machine
And jumped the silent cars that slept at traffic lights

Having scored a trillion dollars, made a run back home
Found him slumped across the table, a gun and me alone
I ran to the window, looked for a plane or two
Panic in Detroit, he'd left me an autograph
"Let me collect dust," I wish someone would phone
Panic in Detroit
Panic in Detroit
Panic in Detroit

Ow

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.