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Big HomieDiddy

Featuring: French Montana Rick Ross

Songwriter: Aasim King Los LunchMoney Lewis DJ Khaled Rick Ross

Producer: LunchMoney Lewis Ben Billions Lu Diaz

[Intro: PUFF DADDY]
Don't be afraid to get old, man
You may learn some shit
You may know some shit
You may see some shit
Haha
Bitch showed me how it's old
I had to tell her

[Hook: Diddy]
You could go to any hood, bet they know me
Rose gold pinky ring; matchin' Rollie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie
Big homie, big homie, big homie, big homie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie

[Verse 1: Diddy]
I'm winnin' for the new bitch, she was stunting
That pussy got a paper tag and it's a hundred
My bellman call me Sir Combs, I'm Richard Drummond
My Rolls Royce spray cologne, the fragrance money
It's Bad Boy Records, bitch, you know I run it
Ciroc Amaretto coming, them bitches love it
I show up with my jewelry on and never doubt it
You show up with your jewelry on and leave without it

[Hook: Diddy]
You could go to any hood, bet they know me
Rose gold pinky ring; matchin' Rollie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie
Big homie, big homie, big homie, big homie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie

[Verse 2: Diddy]
Diddy go to any hood, big Rollie
Top down on any block, niggas know me
The only one that's topping Forbes, I'm gettin' lonely
See us out here racing yachts like ''fuck the police''
Bugatti swerving lane to lane, we getting money
Once promoter say my name, fly bitches coming
These ratchet bitches love a nigga so cuff your chick in
More 80's than the 80's, nigga, I'm Money Mitchin
I'm money Mitchin

[Hook: Diddy]
You could go to any hood, bet they know me
Rose gold pinky ring; matchin' Rollie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie
Big homie, big homie, big homie, big homie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie

[Verse 3: Rick Ross]
My bitches get the Christians, nigga, and Giuseppe
My bitches get the Birkin, nigga, they hold the weapons
My bitches get the Range Rovers, that's for affection
My bitches get the realest nigga, she's my reflection
I make my bitches traffic dope, that's my profession
She swallow dope and looking pregnant, time for c-section
They count your pockets where I'm from, hit block, they bless us
50 mill a meter drum, go get them stretchers
Get them stretchers

[Hook: Diddy]
You could go to any hood, bet they know me
Rose gold pinky ring; matchin' Rollie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie
Big homie, big homie, big homie, big homie
Boy, you'se a little nigga; Gary Coleman
I be calling all the shots, I'm big homie

[Outro: French Montanna & Diddy]
Big Homie
Big Homie
Big Homie
Big Homie
(I'll be calling all the shots, I'm big homie)
Hannn

Diddy

Sean “Diddy” Combs (also known as Puff Daddy, Puffy, Sean John, and P. Diddy) is a recording artist, record producer, entrepreneur, and actor from Harlem, New York.

He started in the music business as an intern and talent director at Uptown Records under his mentor Andre Harrell. While at Uptown, Puffy helped launch the careers of R&B superstars Jodeci and Mary J. Blige. After he was fired from Uptown, Puff started his Bad Boy Entertainment label in 1993 as a joint venture with Clive Davis' Arista Records. His first artists were Craig Mack and The Notorious B.I.G., with Mack releasing the hit “Flava In Ya Ear” before Biggie hit with his Ready To Die album. Following their success, Puff went on to sign successful R&B artists such as Faith Evans, 112, and Total, as well as rappers Ma$e and The LOX.

Puff Daddy was an in-demand producer, working with acts such as Usher, TLC, Jay-Z, Lil Kim, and Boyz II Men among others before he decided to become an artist himself. He released his first album, No Way Out on July 1, 1997, a few months after Biggie was killed in Los Angeles on March 9th. The single “I’ll Be Missing You” was created as a tribute—it debuted at #1 on the Billboard Hot 100 chart and topped the chart for 11 weeks. The album was a multi-platinum success and won the Best Rap Album Grammy Award in 1998.

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