Released: October 13, 2015

Songwriter: Rob Holladay CyHi The Prynce Toro y Moi Diddy

Producer: Rob Halladay Toro y Moi

[Intro]
"Then you get another chance tomorrow, I don't hustle like that. I hustle like this. There's not a second left. You know there's tomorrow, I'm hustlin' like there's only one more second left of this hustle."

[Hook]
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't, workin'

[Verse 1]
Can't you see I'm on the phone
Don't, don't be comin' over here with shit when I'm (workin')
Call me Mr. Combs, and I'm nine digits strong
Niggas hating on me but it's not (workin')
When I was 19, I walked in the house
And I told my momma she could stop (workin')
When you niggas used to beatbox on the block
Big and D-Rock, they was gettin' that (work in)
Then I linked up with some niggas from my hood
Who was know for puttin' that (work in)
And if your record ain't have it (like that, like that)
Nah, then your song, then your song wasn't (workin')
Ran into this young jawn, tell her come home
She asked for a check I said, "Bitch is you (workin')
Now everytime she call I don't even pick up
I just hit her with the text like

[Hook]
Don't bother me, I'm workin'
Don't bother me, I'm workin'
(Yeah put your hands together)
Don't bother me, I'm workin'
Don't bother me, I'm workin'
(Yeah, I ain't finished, I ain't finished)
Don't, workin'

[Verse 2]
I do this shit for B.I.G
So if you don't like me fuck you and the building, you (workin')
If you see us in the club with Cîroc by the tub
We ain't had fun, nigga we (workin')
In the DJ booth like an independent group, like
"Look, this a record, we (workin')"
Play this shit a hundred times
If you don't we gon' be in here
Every single night that you (workin')
Shout out to my people with a job
I hope you don't fall asleep tomorrow when you (workin')
I was mackin' on this chick, my partner tapped me on the back
I turned around like "Nigga can't you see me, (workin')"
She a waitress or a stripper
If it's past midnight and she tell you she's (workin')
And we hustle before we can play
So even on Memorial Day, my nigga

[Hook]
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't bother me, I'm workin'
Don't, don't bother me, I'm workin' (work)
Don't bother me, I'm workin' (work)

[Outro]
"If you gon' get this money, you gon' have to get out and get it man. Ain't nobody gon' give it shit, feel me? God sent me here to inspire you, you understand? Ay I ain't about that motherfuckin' talk, I'm about that walk baby. I gets busy, we get this money over here."

Diddy

Sean “Diddy” Combs (also known as Puff Daddy, Puffy, Sean John, and P. Diddy) is a recording artist, record producer, entrepreneur, and actor from Harlem, New York.

He started in the music business as an intern and talent director at Uptown Records under his mentor Andre Harrell. While at Uptown, Puffy helped launch the careers of R&B superstars Jodeci and Mary J. Blige. After he was fired from Uptown, Puff started his Bad Boy Entertainment label in 1993 as a joint venture with Clive Davis' Arista Records. His first artists were Craig Mack and The Notorious B.I.G., with Mack releasing the hit “Flava In Ya Ear” before Biggie hit with his Ready To Die album. Following their success, Puff went on to sign successful R&B artists such as Faith Evans, 112, and Total, as well as rappers Ma$e and The LOX.

Puff Daddy was an in-demand producer, working with acts such as Usher, TLC, Jay-Z, Lil Kim, and Boyz II Men among others before he decided to become an artist himself. He released his first album, No Way Out on July 1, 1997, a few months after Biggie was killed in Los Angeles on March 9th. The single “I’ll Be Missing You” was created as a tribute—it debuted at #1 on the Billboard Hot 100 chart and topped the chart for 11 weeks. The album was a multi-platinum success and won the Best Rap Album Grammy Award in 1998.