Released: February 17, 1984

Songwriter: Kenny Loggins Dean Pitchford

검색 결과
지식 결과
가고 싶은 곳에 갈 수 있는
케니 로긴 스
열심히 일하고있다
내 카드를 쳤어
8 시간 동안?
오, 내가 가진 것을 말해줘
나는이 느낌을 가지고있다
그 때가 나를 붙잡고있다
천장에 칠거야
그렇지 않으면이 마을을 찢을거야
이제 느슨하게 잘라야 해
Footloose, 일요일 신발 걷어차 기
제발, 루이스, 나를 무릎에서 당겨주세요
잭, 우리가 깨지기 전에 돌아와
모두 잃어버린 당신의 블루스를 잃어라
너는 모든 규칙에 순종하면서 너무 멋지다
너의 마음 속 깊은 곳까지
너는 불타고있어, 어떤 사람이 너에게 말해달라고 간절히 원해
그 인생이 너를 지나치지 않고있어
나는 너에게 말하려고한다
시도조차하지 않으면됩니다
너만 풀어 버리면 얻을거야
Footloose, 일요일 신발 걷어차 기
우 - whee, 마리, 흔들어, 나를 위해 그것을 흔들어
우와, 마일로, 어서 갑시다
모두 잃어버린 당신의 블루스를 잃어라
너는 나를 돌아야 해
그리고 발을 땅에 대고
모든 걸 잡을 수있어
나는 일요일 신발을 걷어 차다
제발, 루이스, 나를 무릎에서 당겨주세요
잭, 우리가 깨지기 전에 돌아와
모두 잃어버린 당신의 블루스를 잃어라
Footloose, 일요일 신발 걷어차 기
제발, 루이스, 나를 무릎에서 당겨주세요
잭, 우리가 깨지기 전에 돌아와
당신의 블루스를 잃어라, 모두 다 잘랐다
모두 다 잘랐어. 다들 잘랐어
모두 다 잘랐어. 다들 잘랐어
모두들

Kenny Loggins

Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. He was born Kenneth Clarke Loggins in Everett, WA in early 1948, and the family later moved to Detroit, and finally to Alhambra, CA when he was in his teens. He initially turned to music as a way of compensating for his extreme shyness, and found that he was, indeed, a talented guitarist and had a voice. For a time in the late ‘60s he was based in Pasadena, studying at Pasadena City College. At the end of the decade, Loggins passed through the lineup of a band called Gator Creek, who were good enough to get signed to Mercury Records. The group recorded one self-titled album, which was issued in 1970 and included an early version of “Danny’s Song,” a track that he later recorded again as part of Loggins & Messina. He also spent time with a short-lived group called Second Helping, and was a member of the stage incarnation of the Electric Prunes during a later phase of that group’s history.

Loggins was proficient on the guitar and piano, but it was his songwriting that allowed him to make his first lasting impression on the music industry. He took a job as a staff writer for Wingate Music, for $100.00 a week, and later that year four of his songs ended up on the Nitty Gritty Dirt Band album Uncle Charlie & His Dog Teddy. This event was particularly fortuitous, as that album was the first release by the newly reconstituted version of the group, and included what proved to be their biggest hit, “Mr. Bojangles.” The presence of the latter helped make Uncle Charlie one of the group’s biggest selling long-players; and the exposure generated a second hit in the form of Loggins’ own “House at Pooh Corner.”

The success of the Nitty Gritty Dirt Band’s recordings brought Loggins to the attention of former Poco member Jim Messina, who was working as a staff producer at CBS. It was Messina’s intention to produce Loggins' debut album, but he also ended up playing and singing on the record, and it worked out so well that the two ended up in a duo. Loggins & Messina were among the most popular folk-based soft rock acts of the first half of the ‘70s and enjoyed a four-year string of successful albums.