Korn

Released: September 27, 2005

Songwriter: David Silveria Reginald “Fieldy” Arvizu James “Munky” Shaffer Jonathan Davis The Matrix

Producer: Jonathan Davis The Matrix

[Verse 1]
Hey you, hey you, Devil's little sister
Listening to your twisted transistor
Hold it between your legs
Turn it up, turn it up
Low end is coming through
Can't get enough

[Pre-Chorus]
A lonely life, where no one understands you
But don't give up, because the music do
Music do!
Music do!
Music do!
Music do!
Music do!
Music do!

[Chorus]
Because the music do
And then it's reaching
Inside you, forever preaching
Fuck you, too
Your scream's a whisper
Hang on, you twisted transistor

[Verse 2]
Hey you, hey you, finally you get it
The world ain't fair, eat you if you let it
And as your tears fall on
Your breasts, your dress
Vibrations coming through
You're in a mess

[Pre-Chorus]
A lonely life, where no one understands you
But don't give up, because the music do
Music do!
Music do!
Music do!
Music do!
Music do!
Music do!

[Chorus]
Because the music do
And then it's reaching
Inside you, forever preaching
Fuck you, too
Your scream's a whisper
Hang on, you twisted transistor

[Bridge]
Music do!
Music do!
Music do!
Music do!
Music do!
Music do!
Music do!
Music do!
Hey you, hey you, this won't hurt a bit
This won't hurt a bit, this won't hurt!
Says who? Says who?
Anesthetize this bitch
Anesthetize this bitch
Anesthetize
Just let me be
Between you and me
Don't Fit

[Chorus]
Because the music do
And then it's reaching
Inside you, forever preaching
Fuck you, too
Your scream's a whisper
Hang on, you twisted transistor

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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