Lupe Fiasco

Released: June 30, 2014

Featuring: Chris Brown

Songwriter: Chris Brown Lupe Fiasco

Producer: SIMON SAYZ (Producer)

[Verse 1: Lupe Fiasco]
Ayy, killer shit
Villainous, hero, don't give a shit
Hancock, Will Smith
Adrenaline, with a twist
Take pride that I'm so Chi
These young bucks just a nuisance
To my sidekicks
This shit here like magic
Yeah, this here like magic
Abracadabra, rabbits
No hook but so hooked
Take crack at my habits
Neutron but too bomb
Did it all with no tablets
It's a write off if it costs right
Get your light blue
Then the off white

[Chorus: Chris Brown]
I ain’t fucking with your drama, no
Baby, all you wanna do is hit it, hit it, hit it, hit it, hit it
Make me lose my mind, girl, I can see it
I ain’t fucking with your drama, no, yeah, yeah
Baby, all you wanna do is hit it, hit it
Get it, bang, bang, bang
Fuck me real good, tell me that you'll never let me go

[Verse 2: Lupe Fiasco]
No fares, dope fiends
Don't try that nose sting
Police rushed in
And they red lights, they got rocks and
Code D, codeine
On that James Dean, call it James Dean
Say watch that, watch that
You might die driving the same thing
Same thing, same thing
Whoop whoop, see that shit?
Triple entendre no accident
Might crash tryna catch this shit
Contact if you catch a whiff
All contact that I catch adrift
That I kick-block
Then stop, on ken dot
Tryna stack of bricks
Like 10 rocks crush it up and don't touch it up
While you uppercut
Shoryuken fuck it up
Nigga, let 'em hit it raw
Send it through your system through a car antenna
Nigga, how she feelin' when it lands deeply in her jaw

[Chorus: Chris Brown]
I ain’t fucking with your drama, no
Baby, all you wanna do is hit it, hit it, hit it, hit it, hit it
Make me lose my mind, girl, I can see it
I ain’t fucking with your drama, no, yeah, yeah
Baby, all you wanna do is hit it, hit it
Get it, bang, bang, bang
Fuck me real good, tell me that you'll never let me go

[Verse 3: Lupe Fiasco]
Higher from the back, fire from the top
Fire to the buyer to the tryer of the rock
Supplier to the buyer to the drivers of the drop
Lighter to the higher, to the writer to the cops
Lighter to the pipe or set fire to the crops
Freebase, crack, rock
Supply it worldwide when they fire at the box
Police raid, trap hot
Police state, black plot
Drier than the fire so there's violence a lot
Price is going higher so they're firing the shots
Die or survive, it's survival of the block
That's your girl, I could X that, by any means, I get it clean
One last hit, and that's it, she won't act it, can't intervene

[Chorus: Chris Brown]
I ain’t fucking with your drama, no
Baby, all you wanna do is hit it, hit it, hit it, hit it, hit it
Make me lose my mind, girl, I can see it
I ain’t fucking with your drama, no, yeah, yeah
Baby, all you wanna do is hit it, hit it
Get it, bang, bang, bang
Fuck me real good, tell me that you'll never let me go

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.

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