Released: March 8, 2018

Songwriter: Lupe Fiasco

[Intro]
Yo
What they say?

[Verse]
Royce sounds like Detroit's voice
[?]
Motor of the motor
Cartier third eye
That's that ladder sight
[?]
The top tier back
Do it for the culture
What you chopping up the science for
Back to back to back like an ultra
Audio sculpture of the lion lying
Never tires, hard to extinguish like a firestorm fireball
What's a search engine to a Chinese firewall?
Mechanics on the block, rhyme detective
Prime directives, even adversaries gon' cop
Clean as easter the eastern conference Isiah Thomas
On the streets, lay a five layered comet unconscious
On [?] at a concert on beat
Life and death on different floors
Different flows depending on which edition

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.