Released: September 19, 2006

Featuring: Sarah Green

Songwriter: Kenny Mason (Choir) Harvey Mason Jr. Soundtrakk Lupe Fiasco

Producer: Soundtrakk

[Intro]
Food & Liquor

[Hook: Lupe Fiasco]
Yeah, my man said he wanted something real
Real, real, real, real
Something he could recognize, something he could feel
Feel, feel, feel, feel
Baby girl said she was in the mood for something real
Real, real, real, real (FNF)
Something that could make her move, something she could feel
Feel, feel, feel

[Verse 1: Lupe Fiasco]
Lust, sometimes can override trust
She said that's why she gave it up
My man said blood spilled out of everything he touched
He crushed everything, he crushed
Ruined everything he loved, he just wanted the rush
Blamed it on the times being rough
Doing dirt with the devil, chasing after the dust
Make a fuss if it's them, but we hush if it's us

[Hook: Lupe Fiasco]
That's why, my momma said she wanted something real
Real, real, real, real
Something she could be proud of, something she could feel
Feel, feel, feel, feel
She said they so used to not having nothin' real
Real, real, real, real
That they don't know how to act, they don't know how to feel
Feel, feel, feel

[Verse 2: Lupe Fiasco]
Life, ain't meant to come around twice
Yeah, that's why I gotta get it right
They said I got it honest, now I gotta give it light
But sleep on it, that's why God give you night
I mean, I had a dream that God gave me flight
Too fly for my own good, so God gave me plight
If I wake up in the morning now I gotta give 'em sight
Make 'em see, break 'em free, ain't a G, show you right

[Hook: Lupe Fiasco & Sarah Green]
The game is not to give 'em nothing real
Real, real, real, real
Nothing that they could use, nothing that they could feel
Feel, feel, feel, feel
Give 'em a bunch of lies and teach 'em that it's real
Real, real, real, real
So that's all they'll know, that's all that they'll feel
Feel, feel, feel

[Verse 3: Lupe Fiasco]
Struggle, another sign that God love you
'Cause on the low, being poor make you humble
Keep they names in my rhymes to try and keep 'em out of trouble
'Cause being poor also teach you how to hustle
All they want is some shoes or some rims for they bubble
Now that I got my own I can hit 'em with a couple
Cuff my homies so they ain't got no reason to cuff you
That's my plan, if I can on the man up above you

[Hook: Lupe Fiasco & Sarah Green]
That's why, I gotta give 'em something real
Real, real, real, real
Something they could recognize, something they could feel
Feel, feel, feel, feel
To my homies on the block I gotta give 'em something real
Real, real, real, real
Something that'll make 'em stop, something they can feel
Feel, feel, feel

[Outro: Lupe Fiasco & Sarah Green]
Yo! FNF are real; really real, yea
You know what it is, woo
Baby girl said she was in the mood for something real
Real, real, real, real
Let's go
So real, so real, so real

Lupe Fiasco

The Chicago born Wasalu Muhammad Jaco first tasted success when he featured on Kanye West’s hit “Touch the Sky”, a track that shortly preceded his real breakout, his 2006 debut album Lupe Fiasco’s Food & Liquor, and he never looked back. He has established himself as one of the greatest urban wordsmiths of all time, with Genius even dubbing him the ‘Proust of Rap’.

While he’s now regarded of one of the 21st Century’s Hip-Hop greats, he wasn’t always a fan of the genre, initially disliking it due to the prominence of vulgarity and misogyny within it. In his late teens, he aspired to make it as a lyricist. In his early twenty’s, he met Jay-Z, who helped him sign with Atlantic Records in 2005. The following year, he released his debut album (Lupe Fiasco’s Food & Liquor), which was met with acclaim from fans and critics alike, as did his sophomore effort, Lupe Fiasco’s The Cool.

The following eight years of his career saw far less output than many would’ve anticipated. This can be partly attributed to his struggles with Atlantic Records. The executives wanted him to sign a 360 deal; however, as he refused to do so they instead shelved his already completed 3rd album, Lasers, and wouldn’t promote him as they had previously. The overseers at the label also interfered with his music (as they had tried to do with his fan-favorite track “Dumb it Down”); subsequently effecting the quality and sound of his third and fourth albums.