Released: December 4, 2001

Featuring: Sleepy Brown

Songwriter: Mr. DJ André 3000 Big Boi Sleepy Brown

Producer: Earthtone III

[Intro: André 3000]
Hello, well good evening, ladies and gentlemen
What we like to do right here—well first of all, let me let you know who I am
Well, I go by the name of André 3000, right?
And we come from a little place called like Stankonia, Georgia, right?
You know, right now everybody wants to be from space
And like want to be from the country and everything like that
You know, like, really, like, the South
It's like cool to be from the South right about now
Girls, listen up

[Verse 1: André 3000]
Torn between Saturday night and early Sunday morn'
I don't know, I'm somewhere stuck in between-tween
I'm out here knowin' hip-hop is dead
The average nigga on my corner yellin'
"What the fuck you mean-mean?"
See, we ain't even seen the mountaintop
Counterclockwise goes the neighborhood
Hand-me-downs and canned goods
Won't cut the Grey Poupon
We got to make you run, back to the drawing board
Can't afford to lose, y'all make me yawn
1/1/91... my teacher sees potential in me, said, "Sit down, son"
And let me tell you like I heard it when I felt deserted
It wasn't no other way to word it, got my feelings murdered
By the bullet of bad, the singer of sad
Songs to make you long for your mom and your dad
Plaid clash with polka dots, I hope you ain't mad
Back up, little mama, I'm about to react

[Hook: André 3000]
Yup, we ain't just funkin' around, ah-ah
No, you don't want to see me clown, ah-ah
No, tomorrow sounds like right now, ah-ah

[Bridge: Sleepy Brown]
People have ya party, but please don't be late
It's time to bounce, rock, roller-skate
Bounce, rock, roller-skate
Hey sexy mama, there's no time to waste
It's time to bounce, rock, roller-skate
Bounce, rock, roller-skate
Grab your partner, roll around, and feel the sound, ah baby
People have ya party, and don't be late
It's time to bounce, rock, roller-skate
Bounce, rock, roller-skate

[Verse 2: Big Boi]
While Scotty is beamin', lil' Pookie 'nem schemin'
What's the use of living, my nigga?
While you snoozing, I'm dreamin', I'm Tylenol PM
You amount to the same thing every day like per diem
Never tryin' to be nothing but a damn "What you're being"
One nation under the cool should be the rule
Whether young man or young lady begins or starts grade school
Silence before violence
Nine times out of ten times, the quietest is the livest
Fumblin' through your privates
Daddy Fat Sax, can they have your back? Naw!
Ooh! You're such a playa
Ooh! Your Southern drawl got me sprawled out
In your black book, my name was crossed out
Went from starting to second-string, now in the doghouse (Woof!)
Reminiscing, the party you was missing
Instead of arguments, you think about the hugs and kisses
If this is something hard for you to take
You better bounce, rock, roller-skate

[Hook: André 3000]
Yup, we ain't just funkin' around, ah-ah
No, you don't want to see me clown, ah-ah
No, tomorrow sounds like right now, ah-ah
Yup, we ain't just funkin' around, ah-ah

[*horns*]

OutKast

Atlanta, Georgia natives André “André 3000” Benjamin and Antwan “Big Boi” Patton are OutKast, one of the most successful rap groups of all time. Along with the production crew Organized Noize and the Dungeon Family collective, André and Big Boi helped popularize and expand the sound of rap in the “Dirty South.”

The duo connected at Tri-Cities High School and after the names “2 Shades Deep” or “The Misfits” didn’t work out, they went with OutKast as a synonym of “misfit.” They signed to LaFace Records in 1992 prior to finishing high school and their first official appearance came on a remix to TLC’s hit single “What About Your Friends.” This led into their debut single “Player’s Ball” being released in 1993 and their debut album Southernplayalisticadillacmuzik following in 1994. They had a pivotal moment early in their career as they were named New Artist of the Year at the 1995 Source Awards, leading them to be booed by the New York crowd and André responding with his iconic “The South got somethin' to say.”

Their next two albums, ATLiens (1996) and Aquemini (1998), have sparked debates as to which album is superior. ATLiens saw the duo begin to produce their own music and increase their profile while Aquemini received a perfect “5 Mic” rating from The Source magazine. Their next album, Stankonia (2000), further solidified their superstar status with the hit singles “B.O.B.,” “So Fresh, So Clean” and “Ms. Jackson,” which won a Grammy for Best Rap Performance by a Duo or Group while Stankonia won a Grammy in the Best Rap Album category.