Released: March 16, 2016

Songwriter: 中田ヤスタカ (Yasutaka Nakata)

Producer: 中田ヤスタカ (Yasutaka Nakata)

[Verse 1]
Hana no iro ga kawareru hodo no
Nagai toki no mitsudo ni chikakute
FURE-MU wa isshun SURO- MO-SHON de
Iccho kusen hikari saku youni

Kuuki wo yurase kodou wo narase
Shizuka na yoru ni ima hi wo tsukeru no
Koi tomo zen zen chigau EMO-SHON
HONTO ni sore dake nano (sore dake nano)

[Chorus]
Hibana no youni FLASH hikaru
Saikou no Lightning game
Narashita oto mo okizari ni shite
FLASH koeru
Saikou no Lightning speed
Hayai toki no naka de chi haya furu
FLASH hikaru
Saikou no Lightning game
Kazashita te wo yumiya ni kaete
FLASH koeru
Saikou no Lightning speed
Negau shinkuu no ma de todoki sou da FLASH

[Verse 2]
Mau ochiba ga chi ni tsuku made no
Setsunateki na sokudo ni chikakute
FURE-MU wa isshun HAI SUPI-DO de
Iccho kusen hikari saku youni

Kuuki wo yurase kodou wo narase
Shizuka na yoru ni ima hi wo tsukeru no
Koi tomo zen zen chigau EMO-SHON
Konya wa kore kara nano

[Chorus]
Hibana no youni FLASH hikaru
Saikou no Lightning game
Narashita oto mo okizari ni shite
FLASH koeru
Saikou no Lightning speed
Hayai toki no naka de chi haya furu
FLASH hikaru
Saikou no Lightning game
Kazashita te wo yumiya ni kaete
FLASH koeru
Saikou no Lightning speed
Negau shinkuu no ma de todoki sou da FLASH

(chi haya furu x4)

[Chorus]
Hibana no youni FLASH hikaru
Saikou no Lightning game
Narashita oto mo okizari ni shite
FLASH koeru
Saikou no Lightning speed
Hayai toki no naka de chi haya furu
FLASH hikaru
Saikou no Lightning game
Kazashita te wo yumiya ni kaete
FLASH koeru
Saikou no Lightning speed
Negau shinkuu no ma de todoki sou da FLASH

(FLASH)

Perfume

Perfume is a Japanese pop girl band from Hiroshima Prefecture, Japan, consisting of Ayano Ōmoto (“Nocchi”), Yuka Kashino (“Kashiyuka”) and Ayaka Nishiwaki (“A~chan”). MTV Iggy said “There are a few reasons why Perfume is one of Japan’s most thrilling pop acts. For one thing, there’s the music, which is an infectious batch of chart-topping melodies built upon a foundation of intricate maximal house production that would give Daft Punk a run for their money, with heavily processed vocals that stutter robotically yet always sound 100 percent human. On top of that, they have an impeccably designed retro-futuristic image and punishing, innovative choreography that they nevertheless render effortless. Where all of this truly comes together, of course, is on stage.”