Released: February 9, 1980

Featuring: Kate Bush

Songwriter: Peter Gabriel

Producer: Steve Lillywhite

[Intro]
"A one... two... one, two, four..."

[Refrain: Kate Bush]
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières

[Verse 1: Peter Gabriel]
Hans plays with Lotte, Lotte plays with Jane
Jane plays with Willi, Willi is happy again
Suki plays with Leo, Sacha plays with Britt
Adolf builds a bonfire, Enrico plays with it

[Pre-Chorus: Peter Gabriel]
Whistling tunes, we hide in the dunes by the seaside
Whistling tunes, we're kissing baboons in the jungle
It's a knockout

[Chorus: Peter Gabriel]
If looks could kill, they probably will
In games without frontiers, war without tears
If looks could kill, they probably will
In games without frontiers, war without tears
Games without frontiers, war without tears

[Refrain: Kate Bush]
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières

[Verse 2: Peter Gabriel]
Andre has a red flag, Chiang Ching's is blue
They all have hills to fly them on except for Lin Tai Yu
Dressing up in costumes, playing silly games
Hiding out in treetops, shouting out rude names

[Pre-Chorus: Peter Gabriel]
Whistling tunes, we hide in the dunes by the seaside
Whistling tunes, we piss on the goons in the jungle
It's a knockout

[Chorus: Peter Gabriel]
If looks could kill, they probably will
In games without frontiers, war without tears
If looks could kill, they probably will
In games without frontiers, war without tears
Games without frontiers, war without tears

[Refrain: Kate Bush]
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans frontières
Jeux sans...

Peter Gabriel

As a member of Genesis in the early ‘70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982’s Security, he began to move into the mainstream; “Shock the Monkey” became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single “Sledgehammer,” So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992’s Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World.