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Little Red CorvettePrince

Released: February 9, 1983

Songwriter: Prince

Producer: Prince

[Verse 1]
I guess I should've known by the way you parked your car sideways
That it wouldn't last
See, you're the kinda person that believes in makin' out once
Love 'em and leave 'em fast
I guess I must be dumb 'cuz you had a pocket full of horses
Trojan and some of them used

[Pre-Chorus]
But it was Saturday night, I guess that makes it all right
And you say - "What have I got to lose?"

[Chorus]
And honey, I say Little Red Corvette
Baby, you're much too fast (Oh)
Little Red Corvette
You need a love that's gonna last

[Verse 2]
I guess I should've closed my eyes when you drove me to the place
Where your horses run free
'Cause I felt a little ill when I saw all the pictures
Of the jockeys that were there before me
Believe it or not, I started to worry
I wondered if I had enough class

[Pre-Chorus]
But it was Saturday night, I guess that makes it all right
And you say, "Baby, have you got enough gas?"
Oh yeah!

[Chorus]
Little Red Corvette
Baby, you're much too fast
(Yes you are)
Little Red Corvette
You need to find a love that's gonna last
(Oh, oh)

[Verse 3]
A body like yours oughta be in jail
'Cause it's on the verge of bein' obscene
Move over, baby, gimme the keys
I'm gonna try to tame your little red love machine

[Chorus]
Little Red Corvette
Baby, you're much too fast
Little Red Corvette
Need to find a love that's gonna last, hey hey

[Chorus]
Little Red Corvette
Honey, you got to slow down (Got to slow down)
Little Red Corvette
'Cause if you don't, you're gonna run your little red Corvette right in the ground
(Little Red Corvette)
Right down to the ground (Honey, you got to slow down)
You, you, you got to slow down
(Little Red Corvette)
You're movin' much too fast, too fast
Need to find a love that's gonna last

[Breakdown]
Girl, you got an ass like I never seen, ow!
And the ride
I say the ride is so smooth, you must be a limousine
Ow!

[Chorus]
Baby, you're much too fast
Little Red Corvette
You need a love, you need a love that's, uh, that's gonna last
(Little Red Corvette)

[Chorus]
Babe, you got to slow down (you got to slow down)
Little Red Corvette
'Cause if you don't, 'cause if you don't
You're gonna run your body right into the ground (Right into the ground)
Right into the ground (Right into the ground)
Right into the ground (Right into the ground)
Little Red Corvette

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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