Released: June 3, 1997

Songwriter: Sinéad O’Connor

Producer: John Reynolds

[Verse 1]
This is to mother you
To comfort you and get you through
Through when your nights are lonely
Through when your dreams are only blue
This is to mother you

[Verse 2]
This is to be with you
To hold you and to kiss you too
For when you need me I will do
What your own mother didn't do
Which is to mother you

[Chorus]
All the pain that you have known
All the violence in your soul
All the 'wrong' things you have done
I will take from you when I come
All mistakes made in distress
All your unhappiness
I will take away with my kiss, yes
I will give you tenderness

[Bridge]
For child I am so glad I've found you
Although my arms have always been around you
Sweet bird although you did not see me
I saw you

[Verse 3]
And I'm here to mother you
To comfort you and get you through
Through when your nights are lonely
Through when your dreams are only blue
This is to mother you

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.