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Better DaysThe Goo Goo Dolls

Released: September 20, 2005

Songwriter: John Rzeznik

Producer: Glen Ballard

[Verse 1]
And you ask me what I want this year
And I try to make this kind and clear
Just a chance that maybe we'll find better days
'Cause I don't need boxes wrapped in strings
And designer love and empty things
Just a chance that maybe we'll find better days

[Chorus]
So take these words
And sing out loud
'Cause everyone is forgiven now
'Cause tonight's the night the world begins again

[Verse 2]
I need someplace simple where we could live
And something only you can give
And that's faith and trust and peace while we're alive
And the one poor child who saved this world
And there's 10 million more who probably could
If we all just stopped and said a prayer for them

[Chorus]
So take these words
And sing out loud
'Cause everyone is forgiven now
'Cause tonight's the night the world begins again

[Bridge]
I wish everyone was loved tonight
And somehow stop this endless fight
Just a chance that maybe we'll find better days

[Chorus]
So take these words
And sing out loud
'Cause everyone is forgiven now
'Cause tonight's the night the world begins again

[Outro]
'Cause tonight's the night the world begins again

The Goo Goo Dolls

The Goo Goo Dolls are an American rock band formed in 1986 in Buffalo, NY, during one of Buffalo’s most prolific underground music phases. The band was formed by John Rzeznik (Also known as Johnny Rzeznik), lead singer and songwriter for the band, with bassist/vocalist Robby Takac, and drummer George Tutuska. Mike Malinin later replaced Tutuska as the band’s drummer.

The band has released twelve studio albums between 1986 and 2017, but they are best known for platinum-selling A Boy Named Goo (1995) and Dizzy Up the Girl (1998). These mid- to late 1990s albums contain the Goo Goo Dolls' biggest hits to date – Name and Iris most notably, but also Slide, Black Balloon, and Dizzy

These hits made the Goo Goo Dolls a household name for radio-friendly “prom night power balladry” (as one Rolling Stone review put it), but the band’s early output was often far rougher musically, melding the band’s edgier punk influences with an often soft sensibility in the mold of the band’s early heroes, The Replacements. One can hear these influences on many songs on A Boy Named Goo though these affinities would fade after Dizzy Up the Girl.

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