This is gonna be fun
This is gonna be real
This is gonna be fun
This is gonna be real
This is gonna be

See you later
Tomorrow's calling
I've gotta run
It's so exciting
A little scary
I wish you could come
I wish you could
Maybe you could come

This is gonna be fun
This is gonna be real
From my feet to my fingers
I'm gonna feel
I'm gonna feel
This is gonna be real...fun

The clock is tickin'
Telephone ringin'
How time does fly
Don't look so sad
Don't look so lonely
Oh, this ain't goodbye

I wish you could
Maybe you could come

This is gonna be fun
This is gonna be real
From my feet to my fingers
I'm gonna feel
I'm gonna feel
This is gonna be real...fun

I've got a full tank of gasoline
I think it's enough to follow the dream
Follow the dream
Follow the dream
Follow the dream

This is gonna be fun
This is gonna be real
From my feet to my fingers
I'm gonna feel
I'm gonna feel
This is gonna be fun
This is gonna be real
From my feet to my fingers
I'm gonna feel
I'm gonna feel
This is gonna be real...fun
This is gonna be real...fun
This is gonna be real

Tina Turner

Often dubbed the Queen of Rock & Roll, Tina Turner is arguably among the most iconic of female divas in history, with her prolific career and memorable personality as a performer and a public figure. Hailing from a small town in Tennessee, and born Anna Mae Bullock, Turner has cemented herself as one of music’s greatest entertainers.

Turner’s career in music arose from her frequenting of nightclubs near St. Louis, where she would meet her soon-to-be husband Ike Turner, who would also give her the alias “Tina”. With Ike, she would form the famous Ike And Tina Turner Revue. A dynamic, explosive R&B ensemble, the two became the definition of the genre in the late 60s and early 70s, where R&B/Soul had only tiptoed into the realms of the mainstream. A particularly influential act in popularizing the genre, the Revue went on to release some of music’s most memorable and iconic tracks – a cover of Creedence Clearwater Revival’s “Proud Mary”, the Phil Spector-penned “River Deep – Mountain High”, and the electric “Nutbush City Limits”. After a host of drug and abuse problems on Ike’s part, with the male Turner eventually engaging in a violent altercation with his wife, Tina decided to leave her husband for the solo life – and it worked.

As a solo artist, with the help of fellow artists like glam rocker David Bowie, Turner tumbled into mainstream success in the 80s with the only number-one hit of her career – the unconquerable love ballad “What’s Love Got To Do With It” as part of her debut solo album, Private Dancer.