You don't want me
But you won't let me get me nobody else
Nah you won't
You said you didn't need me honey
You said you didn't love nobody but yourself
Hum nobody
So I ain't gonna keep holdin on
If all you're feelings for me is gone
I better get to steppin
Steppin steppin steppin
I better get to steppin
Steppin

I know you don't dig me baby
Cause your lovin is cold as ice
You don't dig me baby
It's hell here tryin to change you honey
I said it's like throwin craps on a pair of dice
Snake eyes
So I ain't gone keep holdin on
If all your feelins for me is gone
I better get to steppin
Steppin steppin steppin
I said I better get to steppin
Steppin
Ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Get back baby
Cause I'm comin through
Ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
I'm tired of yo game
I'm steppin out on you
Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh
You gotta get to steppin
Steppin

You a great great lover baby
But I've had some good lovin before
Yes I have
But I heard it throught the grapevine baby
That one monkey don't stop no show
Tell the story
So I ain't gone keep a holdin on
If all your feelins for me is gone
I gonna get to steppin
Steppin steppin steppin
I'm gonna get to steppin
Steppin
Keep on Steppin
Steppin steppin steppin
Cause you ain't helpin
Helpin
I got to keep lookin
Lookin lookin lookin
To see what's cookin
Cookin
Keep on movin
Movin movin movin
Cause you ain't groovin
Groovin
You ain't with it now
With it with it with it
Might as well quit it
Quit it

Tina Turner

Often dubbed the Queen of Rock & Roll, Tina Turner is arguably among the most iconic of female divas in history, with her prolific career and memorable personality as a performer and a public figure. Hailing from a small town in Tennessee, and born Anna Mae Bullock, Turner has cemented herself as one of music’s greatest entertainers.

Turner’s career in music arose from her frequenting of nightclubs near St. Louis, where she would meet her soon-to-be husband Ike Turner, who would also give her the alias “Tina”. With Ike, she would form the famous Ike And Tina Turner Revue. A dynamic, explosive R&B ensemble, the two became the definition of the genre in the late 60s and early 70s, where R&B/Soul had only tiptoed into the realms of the mainstream. A particularly influential act in popularizing the genre, the Revue went on to release some of music’s most memorable and iconic tracks – a cover of Creedence Clearwater Revival’s “Proud Mary”, the Phil Spector-penned “River Deep – Mountain High”, and the electric “Nutbush City Limits”. After a host of drug and abuse problems on Ike’s part, with the male Turner eventually engaging in a violent altercation with his wife, Tina decided to leave her husband for the solo life – and it worked.

As a solo artist, with the help of fellow artists like glam rocker David Bowie, Turner tumbled into mainstream success in the 80s with the only number-one hit of her career – the unconquerable love ballad “What’s Love Got To Do With It” as part of her debut solo album, Private Dancer.