Released: September 1, 1978

Songwriter: Bernie Taupin Elton John

[Verse 1]
I was justified when I was five
Raising cane, I spit in your eye
Times are changing, now the poor get fat
But the fever's gonna catch you when the bitch gets back
Eat meat on Friday that's alright
Even like steak on a Saturday night
I can bitch the best at your social do's
I get high from the speaking about the things I do

[Chorus]
I'm a bitch, I'm a bitch
I'm a bitch and I'm back
Stone cold sober as a matter of fact
I can bitch, I can bitch
Because I'm better than you
It's the way that I move
The things that I do

[Verse 2]
I entertain by picking brains
Sell my soul by dropping names
I don't like those, my god, what's that
Oh it's full of nasty habits when the bitch gets back

[Chorus]
I'm a bitch, I'm a bitch
I'm a bitch and I'm back
Stone cold sober as a matter of fact
I can bitch, I can bitch
Because I'm better than you
It's the way that I move
The things that I do

[Chorus]
I'm a bitch, I'm a bitch
I'm a bitch and I'm back
Stone cold sober as a matter of fact
I can bitch, I can bitch
Because I'm better than you
It's the way that I move
The things that I do

Tina Turner

Often dubbed the Queen of Rock & Roll, Tina Turner is arguably among the most iconic of female divas in history, with her prolific career and memorable personality as a performer and a public figure. Hailing from a small town in Tennessee, and born Anna Mae Bullock, Turner has cemented herself as one of music’s greatest entertainers.

Turner’s career in music arose from her frequenting of nightclubs near St. Louis, where she would meet her soon-to-be husband Ike Turner, who would also give her the alias “Tina”. With Ike, she would form the famous Ike And Tina Turner Revue. A dynamic, explosive R&B ensemble, the two became the definition of the genre in the late 60s and early 70s, where R&B/Soul had only tiptoed into the realms of the mainstream. A particularly influential act in popularizing the genre, the Revue went on to release some of music’s most memorable and iconic tracks – a cover of Creedence Clearwater Revival’s “Proud Mary”, the Phil Spector-penned “River Deep – Mountain High”, and the electric “Nutbush City Limits”. After a host of drug and abuse problems on Ike’s part, with the male Turner eventually engaging in a violent altercation with his wife, Tina decided to leave her husband for the solo life – and it worked.

As a solo artist, with the help of fellow artists like glam rocker David Bowie, Turner tumbled into mainstream success in the 80s with the only number-one hit of her career – the unconquerable love ballad “What’s Love Got To Do With It” as part of her debut solo album, Private Dancer.